Veronese Paolo

Creative destiny of Veronese was formed as it is possible more successfully. He was not yet thirty years old when he achieved official recognition and honorary government orders. Sensitively catching

In the work “Venice, the sovereign with the figures of Justice and Peace”, designed for the Hall of the Board of the Doge’s Palace, Venice is represented in the form

This picture, along with three other works of Paolo, hanging on the opposite wall in the gallery building of Dresden, is one series. All four works were written in 1571

Paolo Veronese is the greatest master of the Late Venice Renaissance. His name is usually associated with dynamic festive theatrical compositions, with refined color solutions based on the use of

Veronese often wrote New Testament meals, especially attracted to his most notable of them – the Last Supper. In the early works of the artist, the Savior’s meals turned into

Painting by Paolo Veronese “Mars and Neptune”. The size of the picture is 250 x 180 cm, canvas, oil. Compositional structure of the picture is typical for Veronese – the

Painting by Paolo Veronese “Lucretia”. The size of the painting is 109 x 91 cm, canvas, oil. In this later work, devoted to the history of the death of a

Allegorical picture of Paolo Veronese “Honor”. Diameter 230 cm, canvas, oil. The combination of a common decorative and monumental painting effect with a rich differentiation of color relationships is also

Painting by Paolo Veronese “Reverence”. The size of the painting is 186 x 194 cm, canvas, oil. Reverence to a woman resting under a purple heavy canopy is expressed by

The main altarpiece of St. Catherine’s church is one of the most successful variations of the altar of Pesaro Titian from the church of Santa Maria Gloriosa dei Frari: the

The Renaissance epoch introduced a lot of new in the treatment of this plot. But the main thing, perhaps, was that most Renaissance artists wanted to create the Crucifixion, where

Allegorical picture of Paolo Veronese “Music”. Diameter 230 cm, canvas, oil. The harmony of the composition of the allegory “Music” is given not only by the judicious reception of the

At the end of the XVI century, at the courts of European monarchs, cloths of a secular nature began to be in great demand. While Veronese did not become an

Of particular importance after the Council of Trent were the subjects of the life of the saints. Usually artists chose those episodes from the lives in which the saints were

Canvas Veronese “Carrying the Cross” is unusual for the artist, both its more than modest size, and laconic interpretation of the plot. Most likely, it is an etude to the

Master lush scale canvases of Veronese decorated for his work many secular and religious buildings of Venice. “The Feast in the House of Levi” was written for the refectory of

The goddess of love and beauty Venus fell in love with Adonis – the son of the king of Cyprus. No mortal could match his beauty. For the sake of

In Babylon there lived a very rich man, Joachim, and he had a beautiful young wife, Susanna. Various distinguished and well-to-do townspeople visited Joachim to talk and hear advice. Once.

Painting Adoration of the Magi was written in 1573 as an altarpiece for the Church of San Silvestro in Venice. In it everything that Veronese has achieved as a mature

Painting by Paolo Veronese “The Resurrection of Christ” is written on the basis of a well-known biblical story. The size of the painting is 136 x 104 cm, canvas, oil.

Painting Paolo Veronese “Beauty Nani” has another name “Venetian”. The size of the picture is 119 x 103 cm, canvas, oil. A few private portraits of Veronese are characterized by