Utrillo Maurice

This is one of the best early paintings of Utrillo. It was in Montmagny in 1902 that Suzanne Valadon undertook to teach her son of painting, in order to distract

Utrillo wrote a lot of Paris, but most often chose such its corners, which do not correspond to the widespread notions of the noisy artistic capital of the world. In

Basilica Sacré-Coeur – one of the permanent “heroes” on the canvases of Utrillo. The artist wrote this church many times from various points at different times of the year, but

By the time when Utrillo began to write his “Paris Street”, he was already a recognized artist. His paintings were exhibited in Paris and Munich, along with canvases by Cezanne,

The late period in the work of Utrillo is customarily dated from the 1930s until the artist’s death in 1955. Despite the fact that during these years he lived not

It is commonly believed that this picture completes the so-called “Mojmani period” and simultaneously opens the “white period” of Utrillo’s work. She, like most of the artist’s works, attests to

The second stage in the work of Utrillo is correlated with the “white period”. It lasted from 1910 to 1914. At this time, the palette of the artist became noticeably

“The period of Montagna” coincided with the years of artistic style, Utrillo. The painter recalled that he began to paint only in order to make a pleasant mother. Suzanne Valadon

This quiet scene from the life of Montmartre is considered the most famous work of Maurice Utrillo. The picture was in the collection of Paul Petriedes, a Greek by birth,

The soft colors of tiled roofs, dirty, cracked walls, bare trees – in the work of Utrillo, his heightened sense of alertness to the world around him, his loneliness, is

The art of the French artist and graphic artist, who sang Paris in his paintings, is not usually associated with any artistic trend. Maurice Utrillo was born in Paris, in

Temples are found on many canvases by Utrillo, because for him these holy places were an indispensable element of the city’s landscape. By 1929, the artist managed to write about

None of the artists who lived in Montmartre, has not dedicated this place so many of his works, like Utrillo. But he wrote not only the attractions of the area,

“Color period” in the work of Utrillo lasted from 1914 to the early 1930s. The palette of the artist is now as if blooming and sharply different from his palette