“Rhythm and original ornamentation are at the heart of the compositional solution and my other picture – The Textile Man, the rhythm of the continuous circular movement in the looms – I almost mechanically subdued him and the weavers with their smooth, melodious movements.
The picture is silvery-white with patches of warm ocher on the faces and hands of the girls. At that time I worked on the canvas surface, making it smooth, lacquered, vaguely wanting to find the unity of the canvas surface with the texture of polished, bright, not yet existing walls, for which I dreamed of painting in my dreams. “
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