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Bronzino Agnolo

          Portrait of Bia Medici, daughter of Cosimo I by Agnolo Bronzino

          Bronzino Agnolo

          Painting by Angelo Bronzino “Portrait of Bia Medici, daughter of Cosimo I”. The size of the painting is 59 x 45 cm, wood, tempera. The fortieth years of the 16th

          Portrait of Cosimo the First Medici in armor by Agnolo Bronzino

          Bronzino Agnolo

          Painting by Angelo Bronzino “Portrait of Cosimo the First Medici in Lats”. The size of the picture is 74 x 58 cm, wood, tempera. On the portrait we see a

          Garland with angels (fresco) by Agnolo Bronzino

          Bronzino Agnolo

          Angelo Bronzino “Garland with Angels”. The fresco of the Eleonora of Toledo Chapel in the Palazzo Vecchio in Florence, an ornament on the ceiling, the size of 185 x 152

          Pygmalion and Galatea by Agnolo Bronzino

          Bronzino Agnolo

          The most large-scale secular works of Bronzino were not preserved. However, we know of a number of his small secular compositions, which form a very interesting branch in the artist’s

          Dead Christ with the Mother of God and Mary Magdalene (Pieta) by Agnolo Bronzino

          Bronzino Agnolo

          In his early work, Bronzino interprets the theme of Christ’s death not as boldly as he did afterwards. The faces of Marci Magdalene and the Mother of God are not

          Portrait of Eleanor of Toledo with his son Giovanni Medici by Agnolo Bronzino

          Bronzino Agnolo

          Agnolo Bronzino was a representative of Mannerism, a picturesque trend that arose in the bowels of the High Renaissance that was setting to decline. Mannerism put art above nature, hence

          Allegory with Venus and Cupid by Agnolo Bronzino

          Bronzino Agnolo

          This allegory was ordered by the artist Duke Cosimo I of the Medici, who intended it as a gift to the French King Francis I. The symbolism of this sensual

          Lucrezia Panchiatiki by Agnolo Bronzino

          Bronzino Agnolo

          The customer: Bartolomeo Panchiatiki, a pair picture of his wife Lucretia to the portrait of Bartolomeo himself, also located in Florence. The formation of the painting of mature Mannerism is

          Allegory of Love (Venus and Cupid) by Agnolo Bronzino

          Bronzino Agnolo

          On the canvas there are different faces of love. Arrow and apple in the hands of Venus symbolize respectively love voluptuous and dangerous. Cupid, spilling roses, promises the joy of

          Allegory of Happiness by Agnolo Bronzino

          Bronzino Agnolo

          Painting Angelo Bronzino “Allegory of Happiness”. The size of the picture is 40 x 30 cm, wood, oil. The allegorical language of art reveals the artist’s versatility of such a

          The Resurrection of Christ by Agnolo Bronzino

          Bronzino Agnolo

          This painting was the first large altarpiece written by Bronzino. The image was ordered by the artist to the family of Guadagna for their family chapel in the church of

          Moses cuts out the water from the rock (fresco) by Agnolo Bronzino

          Bronzino Agnolo

          Angelo Bronzino “Moses cuts the water out of the rock.” Fresco of the Eleonora of Toledo Chapel in the Palazzo Vecchio in Florence, left wall, size 320 x 385 cm,

          Worshiping the cross with a bronze snake (fresco) by Agnolo Bronzino

          Bronzino Agnolo

          Angelo Bronzino “Adoration of the cross with a bronze snake”. Fresco of the Eleonora of Toledo Chapel in Palazzo Vecchio in Florence, wall at the entrance, size 320 x 385

          Portrait of Ugolino Martelli by Agnolo Bronzino

          Bronzino Agnolo

          Painting by Angelo Bronzino “Portrait of Ugolino Martelli”. The size of the picture is 102 x 85 cm, wood, oil. Closure, isolation from reality increases in the late 1530s –

          Justice, liberating Innocence by Agnolo Bronzino

          Bronzino Agnolo

          In 1545, Cosimo de ‘Medici founded a gobelin factory in Florence, employing skilled Flemish weavers for this purpose. Flemish masters of tapestries were famous then throughout Europe, and it is

          Portrait of Stefano Colonna by Agnolo Bronzino

          Bronzino Agnolo

          Painting by Angelo Bronzino “Portrait of Stefano Colonna”. The size of the picture is 125 x 95 cm, wood, tempera. It is necessary to note a series of brilliant portraits

          Portrait of Lucrezia Panchatiki by Agnolo Bronzino

          Bronzino Agnolo

          This portrait of Bronzino was written simultaneously with the portrait of Bartolomee Panchatiki. Notice that Lucrezia Panchatiki is holding an open book in her lap. The book is also present

          Archangel Michael by Agnolo Bronzino

          Bronzino Agnolo

          Angelo Bronzino “The Archangel Michael”. Fresco of the Eleonora of Toledo Chapel in the Palazzo Vecchio in Florence, ceiling painting, size 185 x 152 cm, detail. The artist began painting

          The Holy Family of Panchyatika by Agnolo Bronzino

          Bronzino Agnolo

          Bronzino demonstrates brilliant drawing skills. The artist is characterized by the clarity of the composition and movements of the depicted people. In the painting is the Holy Family with the

          Portrait of Bartolomeo Panchatiki by Agnolo Bronzino

          Bronzino Agnolo

          Bartolomeo Panchatiki was a writer and diplomat. His fate is full of unexpected turns and bright events. In the forties of the XVI century he was in France. There he

          Portrait of Dante by Agnolo Bronzino

          Bronzino Agnolo

          Painting by Angelo Bronzino “Portrait of Dante”. The size of the painting is 127 x 120 cm, wood, oil. Allegorical portrait of Dante written many years after his death and

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