Bronzino Agnolo

Painting by Angelo Bronzino “Portrait of Bia Medici, daughter of Cosimo I”. The size of the painting is 59 x 45 cm, wood, tempera. The fortieth years of the 16th

Painting by Angelo Bronzino “Portrait of Cosimo the First Medici in Lats”. The size of the picture is 74 x 58 cm, wood, tempera. On the portrait we see a

Angelo Bronzino “Garland with Angels”. The fresco of the Eleonora of Toledo Chapel in the Palazzo Vecchio in Florence, an ornament on the ceiling, the size of 185 x 152

The most large-scale secular works of Bronzino were not preserved. However, we know of a number of his small secular compositions, which form a very interesting branch in the artist’s

In his early work, Bronzino interprets the theme of Christ’s death not as boldly as he did afterwards. The faces of Marci Magdalene and the Mother of God are not

Agnolo Bronzino was a representative of Mannerism, a picturesque trend that arose in the bowels of the High Renaissance that was setting to decline. Mannerism put art above nature, hence

This allegory was ordered by the artist Duke Cosimo I of the Medici, who intended it as a gift to the French King Francis I. The symbolism of this sensual

The customer: Bartolomeo Panchiatiki, a pair picture of his wife Lucretia to the portrait of Bartolomeo himself, also located in Florence. The formation of the painting of mature Mannerism is

On the canvas there are different faces of love. Arrow and apple in the hands of Venus symbolize respectively love voluptuous and dangerous. Cupid, spilling roses, promises the joy of

Painting Angelo Bronzino “Allegory of Happiness”. The size of the picture is 40 x 30 cm, wood, oil. The allegorical language of art reveals the artist’s versatility of such a

This painting was the first large altarpiece written by Bronzino. The image was ordered by the artist to the family of Guadagna for their family chapel in the church of

Angelo Bronzino “Moses cuts the water out of the rock.” Fresco of the Eleonora of Toledo Chapel in the Palazzo Vecchio in Florence, left wall, size 320 x 385 cm,

Angelo Bronzino “Adoration of the cross with a bronze snake”. Fresco of the Eleonora of Toledo Chapel in Palazzo Vecchio in Florence, wall at the entrance, size 320 x 385

Painting by Angelo Bronzino “Portrait of Ugolino Martelli”. The size of the picture is 102 x 85 cm, wood, oil. Closure, isolation from reality increases in the late 1530s –

In 1545, Cosimo de ‘Medici founded a gobelin factory in Florence, employing skilled Flemish weavers for this purpose. Flemish masters of tapestries were famous then throughout Europe, and it is