Bryullov Karl

Olga Nikolaevna – Queen of Württemberg, daughter of Emperor Nicholas I. Was educated under the direction of PA Pletnev, Archpriest Pavsky and VA Zhukovsky; The latter enjoyed her favor and

The genius of the romantic era of the XIX century Karl Pavlovich Bryullov for many years was associated with the Imperial Academy of Arts. After twelve years of study at

The image of Princess EP Saltykova can be called a portrait-picture. The new qualities of Briullov’s large canvas are sincerity and lyricism in the depiction of the inner state of

In the summer of 1835 K. Bryullov goes with the historical and artistic expedition of VP Orlov-Davydov to Greece and Turkey for the subsequent illustration of “Travel Notes”, and then

This “Landscape on Madeira Island” was written by Bryullov in 1850. On Madeira, the artist went, hoping to heal there from the ills that had overcome him.

The back and knees of the bent old man in the drawing “The old man and the young man with a sheaf” are poorly worked, the mouth of the laughing

Ramazanov Alexander Nikolayevich actor of St. Petersburg scenes. He made his debut in 1813, at the end of the course at the St. Petersburg Theater School. He was a good

Pozzo di Borgo is a Russian diplomat, originally from Corsica, where he was a lawyer. Pozzo accompanied Suvorov to Italy. In 1803, he entered the Russian service, but, irritated by

Home, from abroad, Bryullov was returning on board the ship Themistocles, under the leadership of Captain Vladimir Kornilov. In this journey, this portrait was painted. Kornilov – an extraordinary personality,

One of the most famous of his works, “The Horsewoman”, Karl Bryullov wrote at the request of the Countess Julia Samoilova in 1832. The name of Samoilov can be considered

Those who knew Bryullov argued that in no city in the world he “did not feel as much at home as in Rome.” “In Rome, you are ashamed to produce

Painter Bryullov found his true vocation in portrait painting, reaching in his portraits and paintings of the highest pictorial class. The heroes of Bryullov’s portraits are almost always attractive. This

Russian architect. He studied at the Academy of Fine Arts in St. Petersburg and in Italy, where he met K. Bryullov. He built the Cathedral of Christ the Savior, the

This picture Bryullov wrote about three years, but never finished. However, the carefully designed sketch looks like an almost complete picture. In the work on it, the artist used a

The life of the port with its crowd and vanity is vividly and directly portrayed. The picture of the southern port is given with such tangible reality that it seems

The tradition of holy fortune-telling is very old. She came from the paganism that reigned in ancient Russia before Prince Vladimir baptized her. And even after the baptism of superstition,

One of the first large portraits of Bryullov was the depiction of the musician M. Yu. Beilgorsky in 1828. The composition of the portrait of Vielgorsky is marked by decorative

By the beginning of the 1830s, Bryullov occupied one of the leading places in Russian and Western European art. . A new speech by a Russian artist who exhibited at

Bryullov highly valued the genius of Pushkin. The brevity of the acquaintance, which lasted less than a year, the sudden death of the poet prevented Bryullov from capturing Pushkin’s features.

Olga Ivanovna Orlova-Davydova was the daughter of Prince Ivan Ivanovich Baryatinsky, one of the most influential and wealthy people in Russia – a secret adviser, chamberlain, ceremonial master of the

The Imperial Academy of Arts, offering Brullov leadership of the historical class, elevated him to the rank of junior professor. To receive the title of senior professor, he was to