Tiepolo Giovanni

In 1750, Tiepolo received an invitation to decorate with frescoes the throne room of the residence of the ruler of Franconia, Archbishop Greyfenklau. To paint the residence of the artist

“Moving the House of Maria of Nazareth in Loreto” Giovanni Balista Tiepolo is one of two fresco sketches for the Venetian Church of Santa Maria of Nazareth. The second is

The event, presented by Tiepolo, occurred about 507 BC. e. during the war of Rome with the Etruscans. From the besieged city, the young man, Gaius Mucius, penetrated the camp

In the art of Tiepolo, compositional and coloristic perfection is combined with boundless creative imagination, masterly mastery of the drawing and careful study of the model – with the inspired

The Venetian painter and engraver Giovanni Domenico Tiepolo studied painting with his father JB Tiepolo. From the middle of the 1750s the artist independently carried out orders, and in 1760

Portraits make up only a small part of Tiepolo’s enormous artistic heritage, but the works that have come down to us show the artist’s ability to convey not only the

After the assassination of his father, the Macedonian king Philip, his son Alexander began to actively win the world’s affairs, having completed the work of his father, who laid the

The fresco of the Villa Valmarana in Vicenza. The plot is borrowed from the epic poem of the Italian poet Tasso “Liberated Jerusalem”. This is an idealized account of the

The plot of this picture was taken from the “Natural History” by the ancient Roman writer and scholar Pliny the Elder. In “Natural History” Pliny, in particular, mentions that Cleopatra

Tiepolo began his engraving not earlier than the 1730s and 40s, and in his legacy there are not too many works done in this technique. The artist managed to create

Flora – in Roman mythology, the goddess of flowering, ears, flowers, gardens. On a feast in honor of Fora, fans on her altar brought blossoming ears. Games in honor of

This is the central of the three paintings dedicated to the Passion of Christ and located in the church of San Alvizier in Venice. Side pictures depict the scourging of

The composition is performed for the altar of the Church of Santa Maria del Rosario in Venice. The Virgin hovers on a throne-like yellow-gold cloud under a canopy on a

In December 1760, Francesca Maria Tassi, an art critic, wrote to her friend, the well-known collector, Count Giacomo Carrara: “Tiepolo now writes waist-length figures commissioned by the Empress of Moscow,

By the time this work was created, the genius of Thepolot had not been doubted by anyone. The painting depicts a collection of Johannites, Maltese knights. The artist managed to

Although, as already mentioned, Tiepolo was considered, mainly, a master of a fresco, his hand belongs to a number of outstanding altar images. His first altar image, he created for

Tiepolo – one of the brilliant representatives of the Venetian school of the XVIII century, the largest late Baroque artist. He possessed a truly virtuosic ability of the draftsman. The

Tiepolo was a master of oil sketching. To compare with him in this genre could, perhaps, only Rubens. In the process of work on the order Tiepolo, as a rule,

Roman commander Lucius Quintius Cincinnatus was distinguished by the simplicity and modesty of life, than earned the respect of his compatriots. After retiring from the business, he worked with his

The painting is written on the theme of early Roman history and decorated the Palazzo Dolphin in Venice. The artist depicted the scene of the declaration of war by Crome

Very often, in his frescoes, Teplolo depicted figures of characters taken from ancient myths. In addition, he wrote a huge number of paintings depicting scenes of the ancient world. This