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          Hakkaizak, Pendant of the Hanged Armor by Utagawa Hiroshige

          Hiroshige Utagawa

          In this engraving, Hiroshige shows the distant environs of Edo – the area of Hakkeizak. A beautiful view of the bay opens from the slope of Hakkeizak – Slope Eight

          Motofuji in Meguro by Utagawa Hiroshige

          Hiroshige Utagawa

          Earlier than Shin-Fuji, Hiroshige showed it in the previous sheet, was built by Moto-Fuji – the original Fuji. The appearance of such structures can also be explained by the difficulties

          Tsukudajima Island from the Eitaibashi Bridge by Utagawa Hiroshige

          Hiroshige Utagawa

          Bridge Eitaybashi, built in 1698, was located in the lower reaches of the Sumidagawa River, between Hakozaki and Sagate. The island of Tsukudajima, visible on the horizon, was inundated. It

          Channel Banky from Soto-Sakurala towards Kojima by Utagawa Hiroshige

          Hiroshige Utagawa

          The area depicted by Hiroshige is not very large, although it is located in the center of Edo, near the castle of the shogun. On the right is a mound,

          Snow-covered bridge Bikunibasi by Utagawa Hiroshige

          Hiroshige Utagawa

          The Bikunibashi Bridge was the first bridge to cross the river Kebasigawa, which flowed from the Outer Ditch in the east of the Edodze Castle. First, the word “Bikuni” denoted

          Meguro, New Fujiyama by Utagawa Hiroshige

          Hiroshige Utagawa

          In the area of Meguro were created two artificial mountains associated with the cult of Fuji. Pilgrimages for the worship of the deity Fuji-gongen began in the 9th century, during

          View of the First street in the Nihonbashi district by Utagawa Hiroshige

          Hiroshige Utagawa

          The Nihonbashi quarter was located around the Nihonbashi bridge. Here there were dwellings and shops of the most successful Edo merchant class, for example, the trading houses of the houses

          Pine Goyhonmatsu on the Onagigawa Canal by Utagawa Hiroshige

          Hiroshige Utagawa

          Once on the banks of the Onagigawa Canal five pines grew, but by the time of creation of this engraving, only one pine had survived, which Hiroshige depicted. Although the

          Takala-no woman by a race circle – Utagawa Hiroshige

          Hiroshige Utagawa

          Hiroshige depicts one of the training grounds in the north-western suburb of Edo, built in 1636 by order of the third shogun Iemiju in the territory of the house of

          The race circle in Hatsune-no Baba in the Bakurote Quarter by Utagawa Hiroshige

          Hiroshige Utagawa

          The name “Bakurote” comes from the name of the horse traders – Bakuro and means “Feeding the horses”. Bakurote was the starting point of the Osjukai-do tract. Here was the

          The Regokubasi Bridge and the Okavabat Quay by Utagawa Hiroshige

          Hiroshige Utagawa

          After a major fire “Nakasode”, which occurred in 1657, one of the main bridges of the Eastern capital – “Ohashi” was built. But the name of Regokubashi, the Bridge of

          Sakasai crossing by Utagawa Hiroshige

          Hiroshige Utagawa

          The Sakurakaido tract led into the Simousa-no kuni sakura area, the path traditionally began from the Nihonbashi bridge in Edo. Further, it passed through the Khondze area, along the Tategava

          Hirokoji Street in Sitaia by Utagawa Hiroshige

          Hiroshige Utagawa

          The name Sitaia came from the location of this place by the Ueno hill. Here passed the road Sitayahirokokzi, along which the shogun came to the temple of Kanailzi. After

          The sanctuary of Akiba in Ukate by Utagawa Hiroshige

          Hiroshige Utagawa

          Hiroshige depicted the territory of the sanctuary Akiba-digongensya in the village of Ukietimura. It was built on the donation of the lime Honda in 1702. The shrine is dedicated to

          Monastery gardens in Nippori by Utagawa Hiroshige

          Hiroshige Utagawa

          Nippori was located between Yanaka and Dokanyama in the northwest of the Ueno and Asukayama mountains. In the east, there were cliffs, from which a beautiful view of the rice

          View from the hill of the sanctuary of Tenjin in Yusima by Utagawa Hiroshige

          Hiroshige Utagawa

          In front of the spectator a winter landscape opens with a view of the pond Sinobadzu no Ike. In the heart of the pond on the island was the sanctuary

          Sanctuary Motohatiman in Sunamura by Utagawa Hiroshige

          Hiroshige Utagawa

          Until the middle of the 17th century, the area of Susaki in the east of Fukugawa was under the waters of the Gulf. In 1659, Sunamura Sindzaemon from Osaka drained

          View of the Kinryudzan Monastery and the Azumabashi Bridge by Utagawa Hiroshige

          Hiroshige Utagawa

          The monastery Kinryudzan – the Mountain of the Golden Dragon – is known in another reading as Asakusa-dera. The five-story pagoda and the massive hondo building, painted in red, are

          Crossing Haneda, the sanctuary of Benten by Utagawa Hiroshige

          Hiroshige Utagawa

          In this engraving, Hiroshige uses the same method of contrasting contrasting plans, sharply pushing the feet and hands of the boatman to the forefront. Hiroshige chooses the most characteristic motive

          Temple of Sadzae Monastery of Gohya-kurakan (Five hundred Arhats) by Utagawa Hiroshige

          Hiroshige Utagawa

          Rakandzi’s temple belonged to Obak-shu, one of the directions of Zen Buddhism, which came from China in the 17th century. He was among the rice fields between the rivers Tategava

          Takinogawa in Odzi by Utagawa Hiroshige

          Hiroshige Utagawa

          The hill stretching from the mountains of Ueno to Asukayama was crossed by the river Syakudzigawa. The viewer has a view of the part of the river passing through the

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