In the area of Getoku, which was the center of the supply of Edo with salt, there were three villages: Horye, Nekozane, Todaidzyma. On the banks of the Sakaigava River,
Sanctuary of Kumano Juni in Tsunahadzu by Utagawa Hiroshige
Near the Shintzuku neighborhood of Knight was the village of Tsunohazumura, through which the Koshu-kaido tract, one of the five largest tracts of Japan, passed. But it was especially noteworthy
Komakatado Temple and Azumabashi Bridge by Utagawa Hiroshige
The engraving offers a view of the Sumidagawa River from the Komakatado temple, the curved roof of which and the wall, covered with white plaster, occupy the left lower plane
Agglomerated camphor trees at the sanctuary of Azuma-no Mori by Utagawa Hiroshige
In the Hiroshige engraving, the viewer can see the road along the Dzikkengava Canal, leading to the Shinto Sanctuary of Azuma-no Mori, in front of which there are the stone
The area of Susaki and Dzyumantsubo in Fukagawa by Utagawa Hiroshige
The engraving offers a view of the snow-covered expanses of the Dzyumantsubo area, which means – One Hundred Thousand Tsubo. Earlier, here, on the left bank of the Sumidagawa River,
The mouth of the Nakagawa River by Utagawa Hiroshige
Hiroshige depicts the junction point of the three important Edo transport rivers, it is Nakagawa, Onagigawa and Sinkava. The Nakagawa River, an offshoot of the Tonegawa River, flowed into the
Nihonbashi bridge in clear weather after snowfall by Utagawa Hiroshige
Hiroshige began his series “One hundred views of Edo” from the image of the snow-covered Nihonbashi bridge. The engraving shows the northern, so-called “fish bank”, between the Nihonbashi and Edobashi
Fireworks at the Regokubasi Bridge by Utagawa Hiroshige
In the early 1730s, during the reign of the eighth Shogun Yoshimune across Japan, famine raged, cholera spread, and more than a million people died. Bakufu ordered to organize a
Rainfall over the bridge of Ohashi, Atake by Utagawa Hiroshige
Hiroshige depicts in this engraving the bridge “Sin-Ohashi”, which means “The New Great Bridge”. The Ohashi Bridge was built on the Sumidagawa River, it was not far from the Regokubasi
Monastery Mokubodzi, Utigawa river and Godzensaikhat fields by Utagawa Hiroshige
Hiroshige does not depict the monastery of Mokubodzi, although he is declared in the name of the leaf. The area of Godzensaikhat is only visible on the horizon. The main
The Ayasagawa River, “The Bell’s Bell” by Utagawa Hiroshige
The Sumidagawa River flows east from the Shanjiu Ohashi Bridge, and then turns south, where Ayasegawa flows into it. It is this section of the river that opens to the
Irises in Horikiri by Utagawa Hiroshige
The village of Horikiri-mura, which was located to the north of the island of Mukoejima, southwest of the Ayasegawa River, was known for plantations of irises and peonies. Its land
The slope of Kinokunizak and a distant view of the Tamkeke pond in Akasaka by Utagawa Hiroshige
The engraving depicts a procession of samurai that moves along Sotobori – the Outer ditch surrounding the castle of the shogun. This was one of the grandiose events of Tokugawa
Outside the Mists by Utagawa Hiroshige
From the Kasumigaseki Upland – Mist of Mists, a beautiful view of the Bay of Edovan with whitening sails against the background of the morning sky. The outpost was built
Quay Nihondzutsumi, Quarter of Yesivara by Utagawa Hiroshige
Quay Nihondzutsumi, more precisely a dam, was built by order of Tokugawa Ieyasu in the first half of the XVII century. In its construction took part daimyo all provinces of