Correggio

The composition of this picture is similar to the composition written in 1530 Christmas. The infant Christ radiates radiance and illuminates the interior, written in soft tones. Created by the

This work, representing the scene of mourning for Christ, was performed by Correggio for the church of San Giovanni Evangelista in Parma. In addition to Jesus and the Virgin Mary,

The fresco “Ascension of Our Lady”, decorating the dome of the Parma Cathedral, is one of the most significant works of Correggio. Here, his many years of searching in the

The work “Saint Jerome” refers to the early period of creativity Correggio. Expressive picture gives contrast lighting. The saint, depicted to the waist, looks thoughtfully at the skull, reflecting, presumably,

This altar image, also known as the “Day”, was ordered by Correggio in 1523 by a certain Breezeid Coma, who wished to honor the memory of her recently deceased spouse.

Returning in 1518 from Rome, Correggio received a very interesting order. The abbess of the convent of San Paolo in Parma asked him to paint some of the premises of

Correggio loved the light for his own sake and was rewarded for his love, because it was the art of transmitting light that elevated him above all modern masters. He

St. Catherine takes the wedding ring from the hands of the infant Christ. Saint Sebastian is present at the symbolic engagement. In the background of the picture are inscribed scenes

The altar images presented here refer to the mature period of creativity Korregio. Both of them testify to the “mannerization” of the master’s style, manifested in the use of bright

“Vice” appears before us in the form of an elderly man. To his left is Joy. She plays the flute next to Porok’s ear, drowning the voice of the Conscience

The genre of the portrait is quite rare in the work of the Italian master of the Renaissance, and the picture presented is the only Correggio work kept in the

Each of the four paintings of this series, commissioned by Federico II Gonzaga, illustrates one of Jove’s love affairs. In the painting “Leda”, the Thunder God joins his beloved, taking

In this grandiose fresco two stylistic features of creativity Korredzho were embodied. On the one hand, it is executed in a monumental style, characteristic of the High Renaissance. On the

It is impossible to overestimate the role of light in the works of Correggio. The artist has always attached great importance to lighting, contrasts of light and shadow. For example,

Antonio Allegri, a painter of the period of the High Renaissance, received his nickname at the birthplace and creativity in the Italian city of Correggio. The master accurately conveyed the