Painting landscapes, Van Gogh chose a variety of motives. But industrial buildings appeared on his canvases rather rarely, much more the artist was attracted by untouched nature and rural houses.

In 1889, Van Gogh voluntarily went to the sanatorium for the mentally ill, which was located in the former monastery of Saint-Remy. His doctor, along with his brother Theo, created

The painting “Harvesting” Van Gogh wrote in 1888. The area where he painted this landscape is located not far from the fields of the Abbey of Montmazur. Describing the work

After leaving the hospital in Arles, Van Gogh continued painting lessons. This landscape with the image of a blossoming city garden he created on a rainy spring day. He was

In 1881, Van Gogh began to take lessons from one of the best Hague artists Anton Muave. At that time, the method of teaching painting was based on the fact

Van Gogh, living in Arles, almost always painted in the open air. One of his favorite subjects was the wheat fields in the vicinity of the town. Sometimes he wrote

In 1990, Van Gogh moved to the small town of Auvers-sur-Oise in northern France. The artist hoped that a mild climate would help him bring his thoughts and feelings in

In Paris, Van Gogh wrote a lot of still lifes. The artist incessantly portrayed flowers, fruits, books and other objects. In doing so, he experimented with the color effects that

Van Gogh’s painting “A Green Wheat Field with Cypress” was written during his stay at St Paul’s Hospital for the mentally ill in Saint Remi, where he stayed for almost

The painting “Sunset in Montmazyre” Van Gogh wrote during his stay in the south of France, in the most fruitful period of his work. At that time he constantly wrote

During the first weeks of his stay in Auvers-sur-Oise, a small town near Paris, Van Gogh’s favorite subjects were nearby farms and moss-covered thatched roofs of village houses. His motivations

In 1887, Van Gogh often painted landscapes from nature, trying to find and convey the freshness of natural shades, the subtleties of open-air lighting. Nature was for him inextricably linked

In Paris, the palette of Van Gogh is much more light and light than Dutch works. This is clearly seen in this picture, where the artist painted Agostin Segatori, sitting

While in the hospital, Van Gogh aspired to draw as much as possible. He made copies of the works of other masters, depicted the interiors of the hospital, but the

The dark, sorrow-filled canvas of Vincent van Gogh in 1886 is a self-portrait, one of many, but perhaps the most real of all. This is a revelation in oil, written