The Altar of Merode, named after the long family that owned it, was first attributed to Rogier van der Weyden, then to the master from Flemal, who was later identified
Verl-altar by Robert Kampen
On the right leaf – reading Saint Barbara. She is shown sitting in a cozy room of a burgher house. Outside the window, in the background of the landscape, is
Portrait of a Woman by Robert Kampen
The portrait of a woman and the Portrait of a man, according to most researchers, are paired and, possibly, originally they were joined together. This is evidenced not only by
Triptych of Merode. Right wing by Robert Kampen
The right wing usually depicted another biblical story, for example, the Last Judgment, as on the corresponding triptych of Rogier van der Weyden. According to one of the hypotheses, the
Triptych of Merode. Left wing by Robert Kampen
On the left wing there is a man and woman watching miraculously, who came home and opened the door. The man bared his head, and the woman holds the rosary
Portrait of a man by Robert Kampen
Robert Kampen is a Dutch painter, one of the founders of early Renaissance art in his country. The name of Robert Kampen is found in many ancient documents. Portraits of
Saint Barbara by Robert Kampen
On the right leaf – reading Saint Barbara. She is shown sitting in a cozy room of a burgher house. Outside the window, in the background of the landscape, is
Trinity by Robert Kampen
The part with the image of the Trinity is as remarkable in concept as the composition with female figures. This is one of the oldest, if not the earliest, sample
Madonna and Child by the Fireplace by Robert Kampen
The art of Robert Kampen stands at the origins of the Dutch painting of the XV century. His researchers attribute the brush to a group of works that were previously
John the Baptist and Henry von Werl by Robert Kampen
The left wing of the triptych is depicted by von Werl, who is praying with St. John the Baptist. . Heinrich von Werl was a Franciscan theologian. The artist painted