Only-begotten son

In the center are depicted: the Lord of hosts in glory, with the Holy Spirit in the form of a dove in the bosom; lower – Emanuel the Savior, who

St Nicholas of Mozhaisk

This iconographic type, created on Russian soil, was inspired by concrete historical events. Despite the canonical ban to make sculptural images of saints, the carved wooden Nicolas took a place

Black Daniel and the workshop

Deesis tavern was written in 1408 for the iconostasis of the Assumption Cathedral in Vladimir on Klyazma commissioned by the Moscow prince Vasily Dmitrievich. In 1775 he was transported to

Candlemas

The Presentation of the Lord is presented in a complicated iconographic variant, which became widespread in the 17th century. On this icon, the traditional scene of the Presentation is supplemented

Angel of the Golden Vlas

The ancient icon has reached our days with large losses of the paint layer and late alterations. The background, the inventory of the head of the archangel and part of

John the Theologian in Silence

The evangelist is depicted sitting, with the gospel revealed. The fingers of the right hand are brought to the closed mouth. Behind John, an angel with an eight-pointed “Sofia” nimbus,

Saint James the brother of the Lord

The inscription with the name of the saint did not survive, but the iconography – the features of his face and the shape of his beard suggest that this is

Saint Nicholas, with 16 hallmarks of life

In the middle section the saint is represented in the iconography of Nikola Zaraysky, with two usual medallions with images of the Savior and the Mother of God at the

Holy Prince Alexander Nevsky

Almost 120 years after the death of the hero of the Battle of the Ice and the Battle of the Neva, Prince Alexander Yaroslavich, he was canonized. His relics, located

The Holy Martyr Panteleimon

The holy martyr doctor Panteleimon was very revered in Russia. He lived at the turn of the III-IV centuries. in Nicomedia. He received the basics of Christian knowledge from his

John Climacus, George and Blasius

The Mongol-Tatar invasion interrupted the development of Old Russian painting, which experienced a period of flourishing in the 12th – early 13th centuries. Only in the Novgorod, which preserved its