Borisov-Musatov Victor

Etude was written in the artist’s hometown, in a typical open-air, rich in cool green shades. The artist reveals the poetry of everyday life in the corners of the provincial

Summer. A house on a hill, a miracle of evening clouds. A wide alley that descends from the hill. On the right edge of it brightens in a smooth turn

“In the summer of 1897, Borisov-Musatov performed sketches for Maternite, most of them A Girl with an Agave, A Lady in a Rocking Chair, Aghava, In the Park, it is

Creativity of Victor Borisov-Musatov stands apart from the works of other artists of the late 19th – early 20th century due to the attempt to create some very personal, intimate

Several creative failures of the “post-Parisian” period did not stop the search for a harmonious world, which Borisov-Musatov identified with the past epoch, and “was introduced” into the present, through

Borisov-Musatov wrote quite a few independent landscapes, but the landscape is an integral part of almost every picture. It is a part, not a background, and a part, naturally merging

Maki burned cleanly and alo. The eye was hot near, as if every flower box, sewn from tender red petals, gathered all the radiance of the afternoon. If you go

A man and a woman are getting ready to receive guests. A man is, of course, the artist himself: a round head, a square forehead, a thin triangular face, a

“In the sketch, a window of a small wing was opened where the Musatov family lived in Saratov. The artist in detail and accurately reproduces everything that the eye sees

Upon his return to Russia from France in 1898, Borisov-Musatov finds the main theme of his work, which can be figuratively depicted by the artist’s own formula – the melody

A young marquis on the background of a majestic sunset recites poetry to two ladies. The measured melody of the poetic lines unites the elegiac-concentrated state of women with the

Unassuming, but such a spiritual landscape – the view from the balcony of his house in Tarusa. Blurred gave the autumn fog, whirling. fly to the veranda golden leaves. Behind

The picture creates an image of great color sonority and decorative beauty. Young women are depicted in a green grove. The artist himself called the “Necklace” a “pagan picture.” Her

The logic of Borisov-Musatov’s way dictated his inevitable appeal to monumental art. His increasingly “decorative”, his musicality, his adherence to the plane – all this had to be realized sooner

“The sad-lyrical mood of the scene of an unsuccessful explanation of love in Motive without words Borisov-Musatov wants to express not so much psychological, as picturesque and plastic means –

The dark gray grave of the road, the dark green grass of the right and left, the wall of trees in front, the white bench on the left. To the

“The anguish torments me, the musical longing for the palette, perhaps, where will I find my beautiful women, whose women’s faces and hands will my life give to my dreams?”

The painting was painted in oil on canvas in 1905 on the artist’s last year of life. Cloth refers to postimpressionism. Borisov-Musatov is famous for its landscapes, which are covered

This first complete picture of Borisov-Musatov refers to the “pre-Parizh” period of his work. The artist all his life experienced difficulties with the sale of his work. “May flowers” –

A green glade with a light stripe in the upper part. Almost the entire plane of the picture is occupied by a black bent rocker with a forty-year-old lady in

A group of ladies in the background of a shady park and the walls of a house lit by the sun, the sounds of the zither are heard. Summer clouds