Assault of Padua by Jacopo Bassano

Bassano workshop The heyday of the Bassano workshop dates back to the 1570s. At this time, out of it came out a myriad of rural scenes for biblical and allegorical

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The Crucifixion by Jacopo Bassano

In the late 1550’s, Bassano leaves the Mannerist experiences and returns to the Renaissance, broad and expressive, manner of writing. Judging by the works of the early 1560s, the return

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The Last Supper by Jacopo Bassano

In the small space of the picture are inscribed the figures of the apostles and Christ. Poses, gestures, expressions of people speak of the strong excitement of the apostles. Bassano

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Portrait of a man by Jacopo Bassano

The portrait presented here refers to the late period of Bassano’s work. Until the 1570s he turned to the genre of the portrait extremely rarely, and generally treated him more

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Harvest by Jacopo Bassano

Rural scenes – this is perhaps the most original part of the creative heritage of Bassano. They are undoubtedly connected with the pastoral tendency “that began in the Venetian school

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John the Baptist in the Desert by Jacopo Bassano

Peak “manneristic searches of Bassano most modern art historians consider the canvas John the Baptist in the desert,” 1558. Thus, Dzampetti, a prominent researcher of Bassano’s creativity, saw in him

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Escape to Egypt by Jacopo Bassano

In Flight to Egypt “the mannerist motifs sound, perhaps even more distinctly, than the Madonna and the Child and John the Baptist.” Particularly in Parmigian’s way, the images of the

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