The Last Supper by Jacopo Bassano

In the small space of the picture are inscribed the figures of the apostles and Christ. Poses, gestures, expressions of people speak of the strong excitement of the apostles. Bassano

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St. Jerome in the desert by Jacopo Bassano

Jacopo da Ponte, nicknamed for the city, in which, with the exception of his young years, when he studied in Venice, spent his whole life, was nevertheless popular in Serenissima.

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Portrait of a man by Jacopo Bassano

The portrait presented here refers to the late period of Bassano’s work. Until the 1570s he turned to the genre of the portrait extremely rarely, and generally treated him more

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Harvest by Jacopo Bassano

Rural scenes – this is perhaps the most original part of the creative heritage of Bassano. They are undoubtedly connected with the pastoral tendency “that began in the Venetian school

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John the Baptist in the Desert by Jacopo Bassano

Peak “manneristic searches of Bassano most modern art historians consider the canvas John the Baptist in the desert,” 1558. Thus, Dzampetti, a prominent researcher of Bassano’s creativity, saw in him

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Escape to Egypt by Jacopo Bassano

In Flight to Egypt “the mannerist motifs sound, perhaps even more distinctly, than the Madonna and the Child and John the Baptist.” Particularly in Parmigian’s way, the images of the

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The worship of the shepherds by Jacopo Bassano

The works of Jacopo Bassano, whose painting belongs to the Venetian school, are colorful, multi-figured and filled with movement. In them there are features of Mannerism and noticeably the baroque

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Portrait of a Woman by Jacopo Bassano

The portrait presented here refers to the late period of Bassano’s work. Until the 1570s he turned to the genre of the portrait extremely rarely, and generally treated him more

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