Bryullov was an excellent draftsman, singled out his “drawing” abilities while studying at the Academy. Most of his drawings are preparatory to large paintings. This is the “Nymph”, 1827-28, referring to the unfulfilled picture “Hylas and the Nymphs”.
In the elegant outline of the female figure, by the way, there is a clear roll call with female figures, with odalasks of the then leader of classicism, Engr. In the possession of a graphite pencil, Briullov knew no equal, and it remains to be regretted that in this genre he created so few finished works – how virtuously he could do it, for example, the famous “Portrait of the singer Viardot Garcia”, 1844 or the late drawing ” A flying angel, weeping for the victims of the Inquisition. “
A lot of time was given to drawing Bryullov and as a professor of the Academy: “Do with a pencil then,” he persuaded the students, “what real artists do with a bow, with a voice – only then can you become quite an artist…”