By the time this picture was written, critics had already managed to name Pollock “Jack the Laborer” – by analogy with the famous “Jack the Ripper.”
In this work, his “dripping” reaches its climax almost – the artist with great skill “depicts” the strange music of the subconscious, its waves visibly spread in the space of the picture.
At this time, Pollock practically abandoned the “meaningful” titles, only by numbering his works, “so that the viewer, in his own words, saw in the picture exactly what it is, nude painting.”
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