This picture, the last of the works of Simone Martini that have come down to us, confirms his reputation as one of the greatest colorists in the history of Italian
Crucifixion by Simone Martini
The crucifixion of the Siena artist confirms the reputation of Simone Martini as a magnificent master of a fascinating and detailed pictorial story, able to set off the image of
Madonna by Simone Martini
Simone Martini – one of the most prominent masters of the Siena school of the XIV century. The art of Siena was influenced by the northern Gothic. Elegant, decorative, refined
Maesta (Glorification of the Madonna) by Simone Martini
The large fresco “Maesta” shines with light pink, yellow, blue, golden-green colors on a bright blue background. Under the canopy of a light pink canopy with scarlet and white tassels,
The Annunciation by Simone Martini
This most famous masterpiece by Simone Martini was performed for the altar of St.. Ansania in Siena Cathedral. The unearthly atmosphere of the Annunciation is highlighted by the brilliant golden
The initiation of the knights of St. Martin by Simone Martini
This picture shows the scene of the imperial honors of St.. Martin, a Roman warrior born in Pannonia. This episode is not in the life of the saint, so the
Condotier Gvidoriccio da Fogliano by Simone Martini
In the history of art, it became the first depiction of a specific historical event with a portrait of a contemporary. This portrait was the prototype of future equestrian monuments.
Carrying the Cross by Simone Martini
When Clement V, elected pope in 1305, moved the papal residence from Rome to Avignon, followed by artists. Simone Martini – perhaps the largest painter of the new papal court
Equestrian portrait of Gvidoriccho da Fogliano by Simone Martini
In the great hall of the Siena Palazzo Pubblico opposite Maestà “Simone Martini depicted – also the entire width of the wall – the equestrian portrait of the famous condottiere