According to the early works of the painter, one can see how the influence of Mantegna is replaced by the influence of Leonardo da Vinci and how the independent Allegri is gradually formed.
Maria in the Uffizi still wears a headscarf on her head matrons. But the air halo of the clouds and the pretty Baby Christ already foreshadow the present Correggio. He also learned from Leonardo the rules of pyramidal composition, differing in the framework of this scheme of interesting identity.
Related Paintings 
Vierge Marie adorant le bébé – Correggio (Antonio Allegri) 
Virgen María, adorando al bebé – Correggio (Antonio Allegri) 
Do not touch Me (Noli me tangere) Magdalena by Correggio (Antonio Allegri) 
The worship of the Madonna to the infant by Correggio (Antonio Allegri) 
No me toques (Noli me tangere) Magdalena – Correggio (Antonio Allegri) 
Prayer in the Garden of Gethsemane by Correggio (Antonio Allegri) 
Ne me touche pas (Noli me tangere) Magdalene – Correggio (Antonio Allegri) 
Saint Anna and Mary with the Infant Christ by Leonardo Da Vinci
Vierge Marie adorant le bébé – Correggio (Antonio Allegri) Virgen María, adorando al bebé – Correggio (Antonio Allegri) Do not touch Me (Noli me tangere) Magdalena by Correggio (Antonio Allegri) The worship of the Madonna to the infant by Correggio (Antonio Allegri) No me toques (Noli me tangere) Magdalena – Correggio (Antonio Allegri) Prayer in the Garden of Gethsemane by Correggio (Antonio Allegri) Ne me touche pas (Noli me tangere) Magdalene – Correggio (Antonio Allegri) Saint Anna and Mary with the Infant Christ by Leonardo Da Vinci