According to the early works of the painter, one can see how the influence of Mantegna is replaced by the influence of Leonardo da Vinci and how the independent Allegri is gradually formed.
Maria in the Uffizi still wears a headscarf on her head matrons. But the air halo of the clouds and the pretty Baby Christ already foreshadow the present Correggio. He also learned from Leonardo the rules of pyramidal composition, differing in the framework of this scheme of interesting identity.
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