Vecellio Titian

Painting by artist Tiziano Vecellio “Portrait of Francesco Maria della Rovere”. The size of the picture is 114 x 103 cm, canvas, oil. Creativity Titian to 1540-ies completely associated with

“Allegory of prudence” was written in oil in 1565-1570. The authorship is attributed to the Italian painter Titian. At work, there are three heads of animals looking in different directions,

“The Festival of Venus” is, together with the “Bacchanalia” of the Prado Museum and the painting “Bacchus and Ariadne” of the London National Gallery, a single cycle dedicated to Bacchus

“Beinera with an organist and Cupid” was created by Titian in his second visit to Augsburg. In this picture, the artist turned to his favorite topic. Venus is a symbol

In the late period of creativity Titian was captured by the creation of dramatically filled pictures on Christian subjects, but antiquity still attracted him. The artist shared the belief of

After Christ was condemned to the crucifixion, he was given to the soldiers for dishonor. “When they had divided him, they put a purple robe upon him, and plaited the

The picture is written about the termination of the plague in 1510, during which Giorgione died, and Titian moved to Padua. With the originality, devoid of prejudice, the artist placed

Painting by artist Tiziano Vecellio “Portrait of a young man with a torn glove”. The size of the picture is 100 x 89 cm, canvas, oil. The most complete embodiment

The Emperor Charles V described the painting in addition to his desire, in which he ordered that the main throne be adorned with a picture depicting the Last Judgment. She

In the content of this work of Titian, the pastoral elements proper have fancifully combined with signs of allegory. It is characterized by the combination of pastoral imagery with philosophical

The picture is not finished. It is assumed that she was to enter the cycle dedicated to Diana and commissioned by Titian Philip II in 1556. Apparently, the picture was

This work is one of the mysteries of European painting: despite its indisputable quality and epochal importance, opinions differ regarding its creator and the theme itself. It is an outstanding

The painting is mentioned in the inventory of the Vendramin collection in 1569. Sold at auction in Venice in 1636. Was in the collection of Anthony Van Dyck. In 1645

The Miracle of the Jealous Husband, a fresco performed by the Italian Renaissance painter Titian, completed in 1511, as part of the Scuola del Santo decoration in Padua, northern Italy.

Year of Foundation: 1560-1562 This work is included in the famous series of seven paintings called “Poesies”. The painting depicts a famous scene from Ovid’s Metamorphosis, made for Philip II

The first owners of the painting were the Maffei family from Verona, where Titian painted the altarpiece for the Cathedral. Indeed, Titian may have lent the bright orange-and-yellow costume of

According to K. Ridolfi, the picture was in the collection of the Muselli in Verona and was considered the work of Titian. In the second half of the XVII century,

In a relaxed and confident painting, Titian brings the charm of the family hearth to the tried and tested Holy Scripture formula. The condescending smile of St. Dorothea is the

The portrait comes from the palace of Ca Marcello in Venice. Bought in the Dresden meeting in 1743. A box with paints, a palm branch, and the age of the

Documents to accurately date the picture, not preserved. Enclosed in a frame of gray stone work of a prominent architect and sculptor Jacopo San-sovino. The explanation of the unusual signature

“The Death of Eurydice” is part of a group of small mythological compositions of a horizontal format, apparently designed to decorate wedding chests – a cassone. These compositions, performed by