In London, the artist was admired by the blue of the fogs that covered Westminster Abbey and the Thames. It is known that he, with a sketchbook in his hands, studied how the same place on the Thames changes from illumination.
This led to the fact that he began to paint landscapes in series, trying to capture the diverse transitional states of nature at different times and in different weather conditions. One of these landscapes Monet – Thames, Westminster.
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