
In the painting of Baldung, this last side of his work takes over. His main painting work is the large multi-leaf altar of the cathedral in Freiburg, still relatively quiet, with a symmetrically constructed middle section completely devoid of spatiality and overloaded with figures.
Strong side of painting Baldunga – sparkling, burning colors that merge into bright, saturated color chords. Typical of most of his paintings are the quaintness of the composition, the increased expression of figures, the emphatic expressiveness of gestures in the works of the last twenty years of his life, such as “The Beating of St Stephen”, 1522, Strasbourg; “Two witches”, 1523, Frankfurt; “Allegory of vanity,” 1529, grow into an open mannerisms.
Portrait of Count Ludwig Levenshtein by Hans Baldung
Three ages of woman and death by Hans Baldung
The altar of Saint Sebastian by Hans Baldung
Three age person by Hans Baldung
Trois âges de l’homme – Hans Baldung
The main altar of the Freiburg cathedral by Hans Baldung
A woman with a mirror and a snake by Hans Baldung
Enchanted Fiancé by Hans Baldung