External – internal. Any phenomenon can be experienced in two ways. These two methods are not arbitrary, but are connected with the phenomena themselves – they proceed from the nature

The picture “Yellow-red-blue” can be considered as a symphony of ideas of Suprematism and Bauhaus. Conditionally, the composition is divided into two parts. The first is filled with geometric figures

Signed for contemporary art of the 20th century, the picture depicts geometric shapes in a magnificent color scheme. There are a number of interpretations of this work, but the most

The basis of many of the artist’s works is the study of emotional and expressionistic properties of color. This paper presents one of these experiments. A color sketch can be

This picture refers to late improvisations, in which objectivity is practically absent. This is already a pure abstraction. It was written in Munich shortly before the First World War, forcing

Painting “The Blue Horseman” is a business card, a trademark of the artist. It was written in 1903. At this time a group of young artists released a famous almanac

The picture shows a white oval with an irregular configuration on a black marble background. Background performs an equally important active role, as in realistic portraits. He brightens and simultaneously

In the early 20-ies, after returning from Russia to Germany, Kandinsky’s works acquire characteristic geometricity, on the canvas becomes more space, the element gives way to order. Fascinated by the

Most of the surviving works of the Kandinsky period of 1900-1908 are in the Impressionist style. They are largely secondary and do not represent a special interest. This applies to

Having abandoned figurative, objective painting, Vasily Kandinsky sought new forms for his new art. These innovative forms were compositions and improvisations, which, not having a clearly expressed plot program, carried

In April 1933, after the Nazi party came to power, the Bauhaus school closes. The pressure on avant-garde artists in Germany is increasing more and in 1934 Basil and Nina

This dynamic watercolor was written by Kandinsky in the mid-1920s, when his art, both theoretically and in practice, is experiencing a powerful upsurge. Returning to Germany from Moscow in June

Painting “A few laps,” written in 1926. Materials for writing works were the oil and canvas. Dimensions 140×140 cm canvas up. At the moment the picture is in New York,