In the midship is represented the martyr Kharlampy, praying to Christ, sitting on a throne in the clouds. Among the hilly landscape is the figure of the deceased saint; his

In the elongated format, the main story is skilfully inscribed, supplemented by the episode of Daniel’s visit by the prophet Avvakum. The composition is completed by the image of Christ

The icon is a monument of ancient Russian painting of the second half of the XV century. Her style reflects both Novgorod and Moscow traditions Iconography of St. Flora and

The miraculous image of Our Lady of Kazan was revealed in 1579. Brought into the Church of St. Nicholas of Tula, she became famous for many miracles, which are described

On the icon there is an iconostasis of 7 rows. Above his Imperial Gates with the image of the Annunciation and the four evangelists, with the Last Supper in the

On the left is the image of the Soul, standing on the moon, clean – the virgin in a royal garment, with a crown on her head, the teeth of

The icon characterizes one of the directions of the Vologda iconography of the 16th century. It is distinguished by the original drawing of the figure of Christ, unusually thin, with

A rare iconographic feature of the monument is the elevated left hand of Christ, in which he holds a scroll. Only the prophets in the face of Christ are represented

Jesus Christ, represented as King by King and Great Bishop, sits on the throne. He is the Mother of God in royal garments and crown, John the Baptist, also in

In the middle, the apostles Peter and Paul are represented, in height, in a prayerful address to God the Father, pictured at the top of the middleman, in a red

In the icon is an original image of the Sabbath of All Saints, occupying the middle and lower parts of the composition. Above the saints standing below, the fall of

In the center of the composition is a dome-shaped cinnabar-fiery cloud, in which the prophet Elijah is depicted, standing in a chariot drawn by horses. In the right upper corner,

The Dormition of the Mother of God is represented with the scene of the Archangel cutting off the hands of the Jew Aphonia. Christ, holding the swaddled soul of the