To the left on the background of architecture is the standing Mother of God, with a staff, after her – the apostles Peter and John. To the right on the

The sequence of scenes on the sidebar can be read in different ways. Traditional, more appropriate to the content of the literary suffering of St.. George, is the next option.

In the midship is represented the martyr Kharlampy, praying to Christ, sitting on a throne in the clouds. Among the hilly landscape is the figure of the deceased saint; his

Deesis tavern was written in 1408 for the iconostasis of the Assumption Cathedral in Vladimir on Klyazma commissioned by the Moscow prince Vasily Dmitrievich. In 1775 he was transported to

The multi-plot composition includes an image of several events related to the story of the Nativity of Christ. Like many works of art of Palekh, he repeats the sample of

Contents of stamps: 1. St. George is put on a red-hot copper bull. 2. The torment of St. George on the wheel. 3. The Burial of St. George. 4. Miracle

Saints in growth, at the turn to each other, in prayer to the image of Our Lady of the Sign, represented in the segment of the sky. They are clothed

Around the large image of the Holy Trinity, presented in the form of a meal of three angels, several scenes of the Hospitality of Abraham are given. Above is the

In the elongated format, the main story is skilfully inscribed, supplemented by the episode of Daniel’s visit by the prophet Avvakum. The composition is completed by the image of Christ

Composition of four registers. In the center of the upper one depicts the Fatherland in the Forces, on the sides of which are six days of Creation. In the second,

It comes from the Assumption Church in the village of Krivoye, Arkhangelsk region. The icon probably was a temple image of a small ancient church in the name of the

In the midship of the Mother of God, Tenderness in the type of the Dnieper, as it were an independent icon, in the fields of which are depicted Antony and

The icon is a fragment of the Royal gates of the iconostasis, in which it was on the left leaf below. The inscription with the name of the evangelist was

Iconography is traditional: the Mother of God is depicted pokhodno, her head is inclined to the Babe, directly standing on her left hand. The Right Child blesses, the left is

The Presentation of the Lord is presented in a complicated iconographic variant, which became widespread in the 17th century. On this icon, the traditional scene of the Presentation is supplemented