The veneration of this image dates back to 1640, when the icon was brought to Moscow. Unfortunately, the original source has not reached our days. Repetitions of the XVII century.
The Resurrection of Christ, with the Passion Cycle and the Annual Mine
The centerpiece depicts the Resurrection of Christ – the Rise from the tomb with the Descent of Christ to hell. The composition also includes other scenes that have become traditional
The Assumption of Our Lady
The Dormition of the Mother of God is represented with the scene of the Archangel cutting off the hands of the Jew Aphonia. Christ, holding the swaddled soul of the
Healing a bleeding wife, with the Guardian Angel and the three saints in the fields
Composition to the text of the Gospel according to Matthew. A crowded scene is skilfully arranged. In the fields the Guardian Angel, Sawa Zvenigorodsky, Sergius of Radonezh and the martyr
The Monk Mikhail Klopsky and the Holy Martyr Alexandra
The author’s signature with the date: “V. Guryanov, 1912” in the icon on the lower right of the middleman. On the back of the icon the ink seal: “Artistic and
The Last Judgment
The icon depicts the martyrdom of 40 soldiers of the Roman army convicted to death for the confession of Christianity in Sebastia about 320 g. It was winter. The warriors
The Mother of God of Arabia (Arapetskaya, or “O, All-Made Mother”)
According to the church legend, the icon was revealed during the service of the Apostle Thomas in Arabia. The image of the Mother of God is full of simple-hearted charm.
The Resurrection of Christ, with the stage of the Only Begotten Son and with holidays in 12 hallmarks
In the middle section is the Resurrection of Christ, represented as the Rise from the Sepulcher and the Descent into Hell, with the Procession of the Righteous to Paradise and
Archangel Gabriel, from the Deesis Tier
The archangel is depicted in growth, in a turn to the left, in his left hand is the measure, in the right is a red mirror with the letters “XS.”
Shestodnev
In the icon is an original image of the Sabbath of All Saints, occupying the middle and lower parts of the composition. Above the saints standing below, the fall of
Elijah the prophet in the desert with scenes of life and Fiery ascent
Iconography is common for the XIX century. The fields depict the patron saints of the family who ordered the icon: Joachim, John Chrysostom, martyr Anastasia and an unknown martyr. Monument
The Temptation of St. Anthony the Great
The ancient fragment is embedded in a thin lime board with two oak keys. In the original colorful layer there is an image of the Monk Anthony the Great lying
Our Lady Before Christmas and Merry Christmas Virgo, with saints in the fields
The multi-plot composition includes an image of several events related to the story of the Nativity of Christ. Like many works of art of Palekh, he repeats the sample of
King Tsar (Present Queen)
Jesus Christ, represented as King by King and Great Bishop, sits on the throne. He is the Mother of God in royal garments and crown, John the Baptist, also in
A multi-part icon. 25 hallmarks
The composition consists of five registers, with five hallmarks in each. Their sequence, from left to right, from top to bottom: 1. The Mother of God of Yasnogorsk. 2. Our