Deesis tavern was written in 1408 for the iconostasis of the Assumption Cathedral in Vladimir on Klyazma commissioned by the Moscow prince Vasily Dmitrievich. In 1775 he was transported to

Deesis tavern was written in 1408 for the iconostasis of the Assumption Cathedral in Vladimir on Klyazma commissioned by the Moscow prince Vasily Dmitrievich. In 1775 he was transported to
The multi-plot composition includes an image of several events related to the story of the Nativity of Christ. Like many works of art of Palekh, he repeats the sample of
Contents of stamps: 1. St. George is put on a red-hot copper bull. 2. The torment of St. George on the wheel. 3. The Burial of St. George. 4. Miracle
Saints in growth, at the turn to each other, in prayer to the image of Our Lady of the Sign, represented in the segment of the sky. They are clothed
Around the large image of the Holy Trinity, presented in the form of a meal of three angels, several scenes of the Hospitality of Abraham are given. Above is the
In the elongated format, the main story is skilfully inscribed, supplemented by the episode of Daniel’s visit by the prophet Avvakum. The composition is completed by the image of Christ
Composition of four registers. In the center of the upper one depicts the Fatherland in the Forces, on the sides of which are six days of Creation. In the second,
It comes from the Assumption Church in the village of Krivoye, Arkhangelsk region. The icon probably was a temple image of a small ancient church in the name of the
In the midship of the Mother of God, Tenderness in the type of the Dnieper, as it were an independent icon, in the fields of which are depicted Antony and
The icon is a fragment of the Royal gates of the iconostasis, in which it was on the left leaf below. The inscription with the name of the evangelist was
Iconography is traditional: the Mother of God is depicted pokhodno, her head is inclined to the Babe, directly standing on her left hand. The Right Child blesses, the left is
The Presentation of the Lord is presented in a complicated iconographic variant, which became widespread in the 17th century. On this icon, the traditional scene of the Presentation is supplemented
Iconography of the “Conception of St. Anne” in the version that is presented by this work, has become popular since the end of the XVI century. and receives the greatest
The frame of the icon, with the 10 stigmas of the confessors on it, is an iconographic rarity. Slender proportions of figures stylized in the spirit of Yaroslavl painting of
In the image of George, the unknown artist managed to realize the national ideal of military valor. Slightly touched by a blush young calm face. Huge eyes look openly and
In the center of the composition is a dome-shaped cinnabar-fiery cloud, in which the prophet Elijah is depicted, standing in a chariot drawn by horses. In the right upper corner,
Such images of Sophia Wisdom were popular in Russian icon painting of the 16th-17th centuries. An unusual detail of the monument are the red cloths of the robes of the
St. Nicholas the Wonderworker from ancient times was one of the most revered saints in Russia, patronizing travelers, seafarers and children. An unknown Russian master wrote St. Nicholas in episcopal
The holy princes Boris and Gleb are represented in richly decorated ornaments. The technical perfection of performance is combined with an impeccable sense of line and color, with the refinement
On the icon there is an iconostasis of 7 rows. Above his Imperial Gates with the image of the Annunciation and the four evangelists, with the Last Supper in the
Novgorod. The plot of the icon is based on the text of the Life of St. Andrew the Godfather and tells about the vision of the Virgin in the Vlaherna