The artist rejected traditional norms and patterns, trying to combine in his painting the immediacy of the perception of nature with its deep study.
Striving for perfection in the transfer of the landscape, the artist gives him a colorful wealth, cleansing him of deaf flowers. His hard, rough brushstroke near even seems convex. But if you look at the picture from a distance, there is an effect that makes the image quite alive. All this fully applies to the picture of the Corn field, written in 1826.
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