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The Crucifixion by Jacopo Bassano

The Crucifixion by Jacopo Bassano

In the late 1550’s, Bassano leaves the Mannerist experiences and returns to the Renaissance, broad and expressive, manner of writing. Judging by the works of the early 1560s, the return came about under the influence of Titian’s works. Particularly well illustrates the last statement of the canvas Crucifixion, 1562. In addition to the secondary traces of studies in Titian, here there are quite obvious compositional borrowings from his canvases.

Moreover, Bassano even chooses the same format as Titian’s, the canvas format. From all of the above, the reader can conclude that our hero was the epigone of the great master. By no means. The crucifixion of Titian was for him only a starting point or, if you like, an invitation to a dialogue. “By accepting the invitation, Bassano completely differently ordered the” theme, having solved it, in contrast to Titian, in a reserved, strict, almost epic key.

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Related Paintings:

  1. Crucifixion – Jacopo Bassano À la fin des années 1550, Bassano abandonne les expériences maniéristes et revient à la Renaissance, une écriture large et expressive. A en juger par les travaux du début des...

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  5. Portrait of a Woman by Jacopo Bassano The portrait presented here refers to the late period of Bassano’s work. Until the 1570s he turned to the genre of the portrait extremely rarely, and generally treated him more...

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  8. John the Baptist in the Desert by Jacopo Bassano Peak “manneristic searches of Bassano most modern art historians consider the canvas John the Baptist in the desert,” 1558. Thus, Dzampetti, a prominent researcher of Bassano’s creativity, saw in him...

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  12. Portrait d’un homme – Jacopo Bassano Le portrait présenté ici fait référence à la fin de l’œuvre de Bassano. Jusqu’aux années 1570, il se tourna très rarement vers le genre du portrait, et il était en...

  13. Portrait d’une femme – Jacopo Bassano Le portrait présenté ici fait référence à la fin de l’œuvre de Bassano. Jusqu’aux années 1570, il se tourna très rarement vers le genre du portrait, et il était en...

  14. The Baptism of Saint Lucilla by Jacopo Bassano Later, Bassano’s canvas, painted in bright colors, is distinguished by an accentuated play of light. A wide palette of cool, glowing tones creates the effect of a light-filled space....

  15. Retrato de un hombre – Jacopo Bassano El retrato que aquí se presenta data de la época tardía de Bassano. Hasta la década de 1570, recurrió al género del retrato muy raramente, y generalmente lo trató más...

  16. Sturm Padua – Jacopo Bassano Taller Bassano El floreciente taller de Bassano se remonta a la década de 1570. En ese momento, una gran cantidad de escenas rurales salían de ella en tramas bíblicas y...

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  18. Assaut de Padoue – Jacopo Bassano Atelier de Bassano L’apogée de l’atelier de Bassano remonte aux années 1570. À cette époque, une myriade de scènes rurales en sont sorties sur des sujets bibliques et allégoriques, et...

  19. Jean-Baptiste dans le désert – Jacopo Bassano Au sommet du “maniérisme de Bassano, la plupart des historiens de l’art contemporain considèrent le tableau Jean-Baptiste dans le désert”, 1558. Ainsi, Zampetti, un éminent chercheur de l’œuvre de Bassano,...

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