The portrait of the artist’s husband was created in the technique of “rayism”, to which N. S. Goncharova applied in the years 1912-1913. They met at the school, where they mastered the skill of the artist.
This meeting was a landmark for both the artist and her creativity. Larionov became for Goncharova not only a mentor, but also a life companion.
Together they participated in art manifestos and performances, creating a special creative union. This portrait serves as a reflection of the idea of “allness” and the search for new visual means for the transfer of character and personality.
Related Paintings 
Portrait de M. Larionov – Natalia Goncharova 
Retrato de M. F. Larionov – Natalia Goncharova 
Still life with a shoe and a mirror by Natalia Goncharova 
Self-portrait with yellow lilies by Natalia Goncharova 
Round dance by Natalia Goncharova 
Cyclist by Natalia Goncharova 
Angels, who rush stones on the city by Natalia Goncharova 
Emptiness by Natalia Goncharova
Portrait de M. Larionov – Natalia Goncharova Retrato de M. F. Larionov – Natalia Goncharova Still life with a shoe and a mirror by Natalia Goncharova Self-portrait with yellow lilies by Natalia Goncharova Round dance by Natalia Goncharova Cyclist by Natalia Goncharova Angels, who rush stones on the city by Natalia Goncharova Emptiness by Natalia Goncharova