Pissarro Camille

An active experimenter and a great enthusiast, Camille Pizarro was always on the lookout for new means of expression. With all of his creativity, he allegedly tried to prove that

The Eighth Impressionist Exhibition, held in 1886, was the last meeting of artists of this genre, and the painters understood that the differences among them had reached their apogee. Pissarro,

Opera travel in Paris. The effect of snow. Morning [1898] Moscow, State Museum of Fine Arts. A. S. Pushkin. Pissarro’s main love is Paris, he is his singer and admirer.

After moving to Pontoise in 1872, Pissarro again renews his creative style, although he rather uses Corot’s techniques that he had already applied earlier in the 1960s. This concerns, above

“Orchard in bloom. Spring” – a picture, the idea of which Pissarro nurtured for a long time. In his work there were already landscapes, but he believes that Pontoise is

The picture “The Effect of Fog” along with the more famous work “The View from My Window” is Pizarro’s curious stylistic experience. This time the artist became interested in the

Looking at the most famous self-portrait of Pissarro, created in 1873, it becomes clear why people jokingly called the artist the biblical names “Moses” or “Abraham.” It seems that the

During his time at the estate of his friend Louis Pietta, Pissarro painted several landscapes, among which the Harvest near Montfuco is considered the most successful. The work is captivating

One of the largest French impressionists, Camille Pissarro, was born in the Antilles. He studied in Paris, after which he returned to St. Thomas. The desire to paint made Pissarro

One of the last works of Camille Pizarro, only two years left before the death of the master. At the end of his creative journey, having at last earned the

The theme of the big city occupied a modest place in the painting of the XIX century. We can say that the Impressionists were the first to introduce the urban

Pissarro’s return to his homeland after his stay in inhospitable England was overshadowed by the view of the destroyed house in Lyuvesiena, as well as the barbaric destruction of his

1869 – a turning point in the work of Pissarro, and marks the period when the artist turns to plein-air painting, which was largely due to the influence of Monet’s

The work “Lane-Lordship Station in Dalwich” was created in England, where Pissarro went during the Franco-Prussian War and, according to art historians, was written under the impression of Turner’s paintings.

Upon returning to Paris, Pissarro still lives in poverty, the republic that replaced the empire did not change anything in the life of France, and the sad events related to

Landscapes Pissarro are not bright in colors, as a rule, restrained in color. However, the picturesque texture of his canvases is complex and unusually multicolored; Thus, the gray tone of

One of the paintings created by Pissarro, when his skill reached maturity, is called the “Red Roofs”. The artist has developed his own individual style, but he does not cease

The early period of creativity was marked by the strong influence of K. Corot and G. Courbet. In the 1860s his landscapes, which do not contradict the canons of official

Pissarro strongly disagreed with those who thought the streets of Paris were ugly. For him, they were bright, and the intensity of life on them, changing in a matter of