And at the same time, for all the decorativeness of the Paris fires, they are truly impressionistic in the artist’s desire to fix a quick impression of the seen Parisian


And at the same time, for all the decorativeness of the Paris fires, they are truly impressionistic in the artist’s desire to fix a quick impression of the seen Parisian

The form of the sketch, or rather, of a small picture, helped Korovin most fully express his attitude to the world, it was she who allowed the unique charm of

Creativity dedicated to the Crimea – a separate page in the work of Konstantin Korovin. The artist purchased a site on the shore of Gurzuf Bay, where he built a

1888 was rich for Korovin artistic impressions – he, along with Savva Mamontov went on a trip to Europe. Especially liked the painter Spanish color, which can be seen even

Korovin learned from Savrasov to find hidden poetry, lyrics, learned to seize and emotionally convey the sensation of life in the landscape in outwardly invisible corners of nature. The undoubted

The north literally charmed Korovin, he enthusiastically told Serov: “What a wonderful land, North Wild! And there is not a single bit of anger from people here… And what kind

The last self-portrait of the artist is full of vivid expression. According to the depth of expressed feelings, on the confident modeling of the head it can not be said

Researchers creativity of the famous Russian and Soviet artist-impressionist Konstantin Korovin distinguish a special, “floral” period of his work, which falls on the beginning of the twentieth century. At this

It was Polenov who did much to shape the future artist. On the slope of the summer Korovin recalled: “Polenov was so interested in school and brought a fresh stream

Looking at the night scenes of the city of Korovin, the viewer plunges into the mysterious sphere of the city’s life with its brightly lit windows, the multicolored lights of

A new area of enthusiasm for Korovin in the 1910s was a still life. Undoubtedly, the attraction to the still life, which captured the art of the 1910s, did not

In 1894, philanthropist Savva Mamontov realized a long-planned trip to Scandinavia, where Konstantin Korovin took with him. In the “program” of this research and tourist tour, visit the northernmost cities

In the late 1890’s. Korovin continued to work on the sets for performances, in particular, he helped to arrange the staging of the operas of Gluck and Rimsky-Korsakov. It is

The summer of 1888 Korovin spent at his dacha with his older friend, the artist Polenov, constantly practicing in the technique of transmitting light and air space. Many of the

Etude “Girl on the Threshold” refers to the early period of creativity Konstantin Korovin. As in a number of landscape etudes of the 1890s, a female figure was introduced into

1885 was an important milestone in the work of Korovin – the artist gets acquainted with the famous patron Savva Mamonov and becomes a member of his house. The meetings

To the first truly impressionistic works of Korovin it is customary to refer, so-called, “zhukov” paintings. The cycle was named after the village of Zhukovka, where the Polenovs’ dacha was

The harmony of man and the world around him, the inseparability of their existence – this is what is expressed both in the dacha and the girl on the threshold,

When it comes to Fyodor Chaliapin, unique archival records come to mind immediately, which managed to capture his dense bass and portrait of Boris Kustodiev, where the world-famous opera singer

State Memorial Historical, Artistic and Natural Museum-Reserve VD Polenov, Tula Region. The last snow, like many of Savrasov’s landscapes, is full of charm and intimacy, discovered in the unspoiled corner

During a short period from 1894 to 1895, Korovin created a whole series of paintings dedicated to the winter landscapes of the north and central Russia. “Winter” – one of