Icons

The portrayal of the archangel Michael was part of the Deesis tier, probably with the central image of the Savior Emmanuel. A product of highly professional icon painting of the

In the midship of the Mother of God, Tenderness in the type of the Dnieper, as it were an independent icon, in the fields of which are depicted Antony and

The icon is unique in the icon of the Jerusalem temple with its open gates and a raised veil, with trees on the facade symbolizing paradise. Rare for its time

Iconography is common for the XIX century. The fields depict the patron saints of the family who ordered the icon: Joachim, John Chrysostom, martyr Anastasia and an unknown martyr. Monument

The composition consists of five registers, with five hallmarks in each. Their sequence, from left to right, from top to bottom: 1. The Mother of God of Yasnogorsk. 2. Our

Icon of the Savior is decorated with a salary with a small vegetation-geometric ornament. The consignment is decorated with turquoise. The frame in 21 stamps depicts the Passion of Christ,

The icon embodies the main episode of the Passion of the Lord – the Crucifixion. Evangelists describe in sufficient detail the suffering and death of the God-man on the cross

“Nativity of Our Lady” belongs to the number of masterpieces of the late iconography. The author of the icon probably knew the heritage of the royal masters of the 17th

In the midship – Our Lady the Burning Bush, in the iconographic variant that developed in Russia in the 16th century. Around 16 hallmarks in which the Our Lady of

Iconography of the “Conception of St. Anne” in the version that is presented by this work, has become popular since the end of the XVI century. and receives the greatest

The icon is a fragment of the Royal gates of the iconostasis, in which it was on the left leaf below. The inscription with the name of the evangelist was

The figure of the saint is densely inscribed in the middel. Above her is the Trinity of New Testament, able. A plow with a rounding horizon is a detail popular

Christ is represented in a pointed mandorla of blue and blue. To the left of Him stand Adam and Eve, as well as a group of Old Testament characters, among

The multi-plot composition includes an image of several events related to the story of the Nativity of Christ. Like many works of art of Palekh, he repeats the sample of

Icon of the festive row of the iconostasis. A rare detail of iconography is the open sky, which accepts the mandorla with the ascending Christ. Christ blesses with two fingers,

The veneration of this image dates back to 1640, when the icon was brought to Moscow. Unfortunately, the original source has not reached our days. Repetitions of the XVII century.

St. Nicholas the Wonderworker from ancient times was one of the most revered saints in Russia, patronizing travelers, seafarers and children. An unknown Russian master wrote St. Nicholas in episcopal

To the left on the background of architecture is the standing Mother of God, with a staff, after her – the apostles Peter and John. To the right on the

In the middle section is the Resurrection of Christ, represented as the Rise from the Sepulcher and the Descent into Hell, with the Procession of the Righteous to Paradise and

This icon belongs to the hand of a village icon painter. Guided by considerations of practical order, he uses the usual movements of the brush to create an image revered

In the middle of St. Nikolai Mirlikiy in the belt image, with figures of Christ and the Virgin from the Nicene miracle. In 16 stigmas there is the life of