Very unusual for the artist’s portrait. Natalia Ivanovna Petrunkevich lived nearby Ge. They were friends with the artist. The girl came to him, and read while standing at the open
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Very unusual for the artist’s portrait. Natalia Ivanovna Petrunkevich lived nearby Ge. They were friends with the artist. The girl came to him, and read while standing at the open
Nikolai Ge’s “The Last Supper” is a powerful, powerful work depicting a well-known biblical scene, which was addressed by many artists: classics like Rubens and Leonardo da Vinci, and avant-garde
The internship in Italy was more than fruitful for Ge. Enjoying a new country, which by right can be called the cradle of European art, the painter gradually “cast off”
All sat in deep sorrow and silence. On the night of Thursday to Friday, Jesus, with eleven disciples, went to the Garden of Gethsemane, which was at the foot of
In the 1860s, Nikolai Gue began to address religious themes, thereby continuing the tradition that developed in the works of AA Ivanov. At the Ivanovskoye farm in the Chernigov province,
In 1850, Nikolai Ge entered the Academy of Arts, finally choosing between mathematics and art, to which he equally had outstanding talents. It should be noted that the painter came
In his works Ge sought not only to raise major philosophical questions, but also did it with great skill. Especially he succeeded in sacred biblical subjects, which took the minds
In the picture of Ge NN with a name that speaks for itself, “Peter I interrogates Tsarevich Alexei in Peterhof” depicts a room in which there are two people: Peter
Lazarus, brother of Mary and Martha, lived in Bethany, a village near Jerusalem. Mary and Martha often offered hospitality to Jesus Christ, and he especially loved Lazarus as a brother.
In Mikhailovskoe, we know that the great Russian poet was exiled for his poems about freedom. Pushkin was brave in his poetry, for which he paid a price of exile.
There are two versions of the picture “Crucifixion”. Both options made a depressing impression on the audience. The depth of despair of the last moments of Christ’s earthly life and
The picture is one of the options for developing the evangelical theme “Crucifixion”, over which the artist worked in the last years of his life. In the center of the