Carpatho Vittore

The pupil of Bellini Vittore Carpaccio, who introduced into the religious plot purely Venetian naturalistic details, did not forget that the picture must first of all be a decoration and

Prayer for the Cup “is one of two evangelical paintings that were part of the cycle for Scuola di San Giorgio degli Schiavoni, the second of which was called Apostle

The artist practically did not address the portrait as a separate genre. But he has a kind of design and execution of the work – “Young Knight in the background

Among the paintings of Vittore Carpaccio there is one that strikes the viewer with its unusual. For a long time, it was customary to call Courtesans on the balcony, “but

Picture of Vittore Carpaccio “Meeting of Saint Ursula and pilgrims with the Roman Pope Kyriak”. The size of the canvas is 281 x 307 cm, canvas, tempera. A picture from

A series of paintings by Carpaccio, dedicated to the life of St. Stefan and written for the theological school “Scuola di Santo Stefano” in Venice, was started in 1511. Carpaccio

The dream of Saint Ursula “can be safely called a masterpiece.” From the point of view of the development of events, “the picture does not occupy an important place in

In 1488, Scuola di Sant Orsola decided to decorate its premises at the monastery of St. John and Paul. Soon after this decision was taken, the brotherhood of Saint Ursula

This painting, designed for the church of San Jobbe, had to compete with the Madonna with the saints “Giovanni Bellini, written for the same church. Especially curious is the boy-lute

This painting is so unusual for Venetian painting, that for a long time its author was considered Durer. Too North “seemed this work thanks to calligraphically prescribed plants in the

Grandiose on the artistic and canonical scale of the late 15th century, the painting by Wittore Carpaccio “The Miracle of the Relic of the Holy Cross.” The size of the

Each picture from the cycle for Scuola di San Giorgio is more independent, self-contained than the pictures of the cycle of Saint Ursula. This is due primarily to the fact

Augustine is depicted in his cell. He does not yet know about the death of St. Jerome, he is in meditation on the glory and joy of God’s servant, who,

The painting is part of a series of nine works that tell of the life of St. Ursula, created for the brotherhood of St. Ursula. The cycle begins with the

Sculpture by Vittore Carpaccio “Preaching of St. Stephen in front of the gates of Jerusalem”. The size of the painting is 152 x 195 cm, canvas, tempera. A painting from