Transformation by Sandro Botticelli

Botticelli made the figure of Christ, accompanied – not completely canonically – by Moses and dressed in goat skins by the prophet Elisha, the center of a small triptych, depicting

The Crucifixion by Sandro Botticelli

Even less traditionally, the “Crucifixion” of Botticelli, not in vain called “mystical.” Unlike the leading idea of “Christmas” – “Florence must be saved” – in the “Mystical Crucifixion” the motive

Saint Sebastian by Sandro Botticelli

Orders Botticelli received mainly in Florence. One of his most remarkable paintings is “Saint Sebastian” performed for the oldest church in Santa Maria Maggiore. On January 20, 1474, on the

Pieta (Lamentation) by Sandro Botticelli

There are two “Lamentations” of Botticelli’s brush, both are magnificent examples of his late style, as well as mastery in creating compositions from closely-placed figures. This “Pieta” was performed for

Abandoned by Sandro Botticelli

This picture is one of the last works of Botticelli. Most likely, Botticelli turned to the biblical lines: “And the servant brought her out and locked the door behind her.”