There are two “Lamentations” of Botticelli’s brush, both are magnificent examples of his late style, as well as mastery in creating compositions from closely-placed figures. This “Pieta” was performed for

In the painting the artist depicts evangelical episodes. Jesus fasted in the wilderness forty days, at the end he felt hungry, and then, appearing to Him, the devil persuaded: “If

At about the same time that Botticelli worked on the frescoes in the Sistine Chapel in Rome, he painted several youthful portraits, including this one depicting a young man wearing

This young woman with disheveled hair – another pretender to be considered Simonetta Vespucci, the subject of adoration Giuliano Medici. The lively and unbridled character of the model allows you

St. Augustine in this picture looks much more modest than that powerful leader and teacher of the Church, whose image was created by Botticelli in 1480. Blessed Augustine, who should

“Finding the body of Holofernes” and “Return of Judith to Vetiluy” – these two small but excellent compositions in their mastery are written in the noncanonical text of the Old

Painting by artist Sandro Botticelli “Portrait of a Young Man”. The size of the work is 37.5 x 28.2 cm, wood, tempera. The portrait was written eight to ten years

Painting by artist Sandro Botticelli “The Annunciation of Chestello”. The size of the work is 150 x 156 cm, wood, tempera. The painting was painted for the church of Santa

Painting by artist Sandro Botticelli “History of Lucretia”. The size of the master’s work is 80 x 178 cm, wood, tempera. The customer of the picture on the historical theme

Even less traditionally, the “Crucifixion” of Botticelli, not in vain called “mystical.” Unlike the leading idea of “Christmas” – “Florence must be saved” – in the “Mystical Crucifixion” the motive

The portrait of “Giuliano Medici” was written by the artist Sandro Botticelli in the mid-70s. The size of the picture is 54 x 36 cm, wood, tempera. The first solid

“Madonna in the Rose Garden” is a typical early Madonna of Botticelli. The Virgin Mary type organically combines the features of the heroines Philippe Lippi and Andrea del Verrocchio and

Botticelli created the painting “Madonna with a pomegranate” in the 15th century in the Renaissance style, which was placed in the auditorium of the Palazzo Vecchio. The picture is drawn

Continuing to unfold the brutal and exciting narrative on the next panel, the artist portrayed the frightened Nastagio degli Onesti and the rider, who, dismounted, “lashed out like a rabid

At the turn of the XV and XVI centuries, Botticelli created a series of paintings designed to decorate the church chests, on the theme of the life of St. Zinoviy,