One of them was connected with the attempt of the artist to use in the engraving the scheme and imaginative structure of the landscapes of the traditional schools of Kano and Tos. This attempt ended in failure: landscape sheets with a “classical” scheme – no more than rude replicas of paintings. Soon they disappear from engraving Ukiyo-e.
The second is “perspective pictures” – ukie, that is, compositions in which the linear perspective and kyaroskuro were used. As a rule, the penetration of such techniques into Japanese art and, accordingly, the emergence of ukiye is associated with the influence of the European artistic tradition.
However, it is possible that the first impetus to the creation of ukieh did not come directly from Western works, but indirectly from Chinese type engravings created under the influence of European models. In particular, the impact of the so-called megane-e-literally: the spectacles-was created in large numbers in the Suzhou province.
El actor Otani Oniji II como sirviente de Edohei – Tusyushai Syaraku 
L’acteur Otani Oniji II en tant que serviteur d’Edohei – Toshusai Sharaku 
Actor Bando Hikosaburo III in the role of the warrior Sagisaka Sanan by Tousyusai Syaraku 
Yajima Kihei Mitsunobu by Utagawa Kuniesi 
Kind of area Mimeguri by Siba Kokan 
Night walk by Hosoda Acee 
El actor Bando Hikosaburo III como guerrero Sagisaka Sanan – Tusyushay Syaraku 
Poet Ono-no Komati by Katsushika Hokusai