The icon characterizes one of the directions of the Vologda iconography of the 16th century. It is distinguished by the original drawing of the figure of Christ, unusually thin, with small feet and palms, and also rare methods of modeling clothes.
In the color composition of the work, a subtle decorative flair of the master was revealed, skillfully combining translucent unhidden colors – orange groundhog, ocher of various shades, blue indigo, green paint, used a variety of auripigment and decorated with white “pearls” even the fasteners of the Gospel. Icon is an artistic work of museum dignity
Related Paintings 
Annunciation 
Resurrection by Descent into Hell 
The Virgin Hodegetria, such as the Georgian 
Ascension of Christ 
Savior helpless, in a frame with 33 stigmas of the Lord’s and apostolic passions 
Triodion Color 
Holy Great Martyr Nikita on the throne, with saints on the fields 
The prophet Daniel in the moat of the lion
Annunciation Resurrection by Descent into Hell The Virgin Hodegetria, such as the Georgian Ascension of Christ Savior helpless, in a frame with 33 stigmas of the Lord’s and apostolic passions Triodion Color Holy Great Martyr Nikita on the throne, with saints on the fields The prophet Daniel in the moat of the lion