In most portrait images of the 40s and 50s, Rembrandt emphasizes those aspects of a person’s inner world, his attitude to life, which to a large extent were characteristic of

Jacques Le Hein himself was an artist, but, as one of his friends said with regret, a rich legacy dulled his ambition, and in the end he did not live

PICTURE-SKETCH OIL on the theme of the famous plot. The deepest sorrow of those gathered is all the more so that none of them know that the crucified Christ will

The painting “Sofonisba Accepts a Bowl of Poison” is an early work by Rembrandt. In the guise of the heroine guessed Portrait of the wife of the artist Saskia. Sofonisba

Judah King Seoul sought to destroy the young David, fearing that he would take his throne. Warned by his friend, Prince Jonathan, the winner of Goliath, David, says goodbye to

PICTURE IMAGES a dramatic moment from the Book of Esther, a Jew who became the wife of the Persian king Artaxerxes. King Aman’s chief adviser, unaware of Esther’s origin, planned

Unconfirmed theory and research that Rembrand painted his portraits using mirror projections. Some 17th-century artists used a system of concave and flat mirrors to achieve more realistic self-portraits. Perhaps such

At the time of this writing, Rembrandt settled in Amsterdam, but in terms of subject matter and small size, the picture resembles a Leiden period. The central figure was called

Painting of the Dutch painter Rembrandt van Rijn “The Parable of the Rich”. The size of the painting is 32 x 42 cm, oil on canvas. Everything said on the

The book of Tobit describes the story of a family that has fallen to the Assyrian captivity from the “northern country”, that is, Israel. This book is not included in

Painting by the Dutch artist Rembrandt van Rijn “The accusation of Joseph.” The size of the painting is 106 x 98 cm, oil on canvas. The fuller title of the

One of the most mysterious episodes in the Old Testament. When Jacob is left alone, Somebody appears and fights with him all night. Angel fails to defeat Jacob, then he

Representing a scientist in his office, Rembrandt uses the type of human images in Flanders in the seventeenth century in Flanders. But he, unlike the Flemish masters, succeeds in avoiding

The painting “The Lesson of Anatomy of Dr. Tulpa”, in which the artist innovatively solved the problem of a group portrait, giving the composition life’s ease and uniting the portraits

Rembrandt made it a rule to write self-portraits, but rarely portrayed himself at work. In essence, this is the second of a series of self-portraits, on which he appears with