Francesco Maria della Rovere, the governor of Urbino from 1508. The portrait was ordered, as documents prove, in 1536 and sent to the customer in 1538. Titian apparently made from nature only the sketch of the face, and the portrait itself was painted in Venice where the artist was sent the precious armor of the duke.
In one of his letters to his attorney in Venice, Leopardi, the duke asks to tell Titian that the armor is very expensive and must be treated with care. Judging by the preparatory drawing in the Uffizi, in these armor Titian was posing in Venice a model. Pietro Aretino dedicated this portrait to an enthusiastic letter and a sonnet, sent to him on November 7, 1537 by the poetess Veronica Gambar. The portrait entered Florence from Urbino in 1631 with the legacy of Vittoria della Rovere
Related Paintings:
- Portrait of Francesco Maria della Rovere by Titian Vecellio Painting by artist Tiziano Vecellio “Portrait of Francesco Maria della Rovere”. The size of the picture is 114 x 103 cm, canvas, oil. Creativity Titian to 1540-ies completely associated with...
- Retrato del duque de Urba Francesco Maria della Rovere – Titian Vecellio Francesco Maria della Rovere es el presidente de Urbino desde 1508. El retrato se ordenó, como demuestran los documentos, en 1536 y se envió al cliente en 1538. Tiziano, al...
- Portrait du duc urbain Francesco Maria della Rovere – Titien Vecellio Francesco Maria della Rovere, souverain d’Urbino depuis 1508. Le portrait a été commandé, selon les documents, en 1536 et envoyé au client en 1538. Titien, apparemment, n’a fait qu’un croquis...
- Retrato de Francesco Maria della Rovere – Titian Vecellio Pintura de Tiziano Vecellio “Retrato de Francesco Maria della Rovere”. El tamaño del cuadro es de 114 x 103 cm, óleo sobre lienzo. La creatividad Tiziano hasta la década de...
- Portrait de Francesco Maria della Rovere – Titien Vecellio Peinture de Tiziano Vecellio “Portrait de Francesco Maria della Rovere”. La taille de l’image est de 114 x 103 cm, huile sur toile. L’œuvre de Titien jusqu’aux années 1540 est...
- Retrato de Francesco Maria della Rovere – Rafael Santi Uno de los primeros retratos de la obra de Rafael, puede considerarse este retrato. Francesco Maria era hijo de Giovanni della Rovere y Juliana Feltria, hermana de Guidobaldo de Montefeltro,...
- Portrait of the Urbinian Duchess Eleonora Gonzaga by Titian Vecellio Like other pictures of the Urbino collection, the portrait entered Florence in 1631 together with the legacy of Vittoria della Rovere. It was ordered and completed at the same time...
- La Bella (Beauty) by Titian Vecellio The portrait comes from the Urbino meeting, entered the collection of the Florentine dukes of the Medici in 1631 with the legacy of Vittoria della Rovere. Perhaps this particular portrait...
- Portrait de Francesco Maria della Rovere – Rafael Santi L’un des premiers portraits de Raphaël, ce portrait peut être considéré. Francesco Maria était le fils de Giovanni della Rover et Juliana Feltria, sœur de Guidobaldo Montefeltro, duc d’Urbino. L’oncle...
- Portrait of Giovanni Francesco Aquaviva, Duke Atri by Titian Vecellio The fate of the portrait can be traced from the first half of the 18th century, when he was in French assemblies. In 1756, he was acquired by the founder...
- Portrait of a young man (Portrait of Ippolito Riminaldi) by Titian Vecellio The portrait comes from the collection of the Urbinian dukes and entered Florence in 1631 with the legacy of Vittoria della Rovere. It was considered a portrait of the Duke...
- Portrait of the Duke of Federigo Montefeltro and the Duchess of Battista Sforza by Piero della Francesca Around the middle of the 1460s, Piero della Francesca worked at the court of Federigo da Montefeltro – Count, and from 1474 the Duke of Urbino. By order of the...
- La Bella (Belle) – Titian Vecellio El retrato proviene de la colección Urbinsky, ingresó en la colección de los Duques Florentinos de los Medici en 1631 con la herencia de Vittoria della Rovere. Tal vez sea...
- Resurrection of Christ (Altar polyptych Averoldi), right wing, scene above. Virgin Mary by Titian Vecellio Polyptych, consisting of 5 parts: “Ascension of Christ” – 278X122; “Bishop Averoldo with Saints Nazarene and Celsius” and “St. Sebastian” – 169X65 each; “Archangel Gabriel” and “Virgin Mary” – 79X65...
- Portrait of Ranucho Farnese by Titian Vecellio The portrait comes from the Florentine collection of Contini-Bonacossi. In the collection of Kress since 1948. Before clearing was considered an old copy. Today, the authorship of Titian is recognized...
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- Venus Urbinskaya by Titian Vecellio The ancient theme, often arose in the work of Titian, allowed this vivacious Venetian to throw out on the canvas all his admiration for the world and the ability to...
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- Family members before the relic of the Holy Cross by Titian Vecellio The painting is mentioned in the inventory of the Vendramin collection in 1569. Sold at auction in Venice in 1636. Was in the collection of Anthony Van Dyck. In 1645...