Painting Parmigianino “Portrait of a Man”, wood, oil. In 1523 or at the beginning of 1524, Parmigianino moved to Rome. Undoubtedly, it is here that the artist acquired that high graphic culture, brilliant artistry, which distinguish his mature work.
And at the same time, in his works of the Roman and Bologna periods the anti-renaissance orientation is intensified. Art critics who criticize Parmigianino for the “anti-recessionary nature of creativity and pessimistic fiasco” saw in the master’s work only a deviation from the classical canons of the Renaissance, blaming the arbitrariness of the visual language, and overshadowed the artistic vision of the Italian artist.
The portrait of a man is written against the background of the landscape and the antique sculptural group. The portrait amazes with the truthfulness, psychological capacity and emotional coloring of the character depicted in the picture of a person.
Portrait d’un homme – Francesco Parmigianino 
Self-portrait in a convex mirror by Francesco Parmigianino 
Cupid planing bow by Francesco Parmigianino 
Galeazzo Sanvital, Prince Fontanelato by Francesco Parmigianino 
Retrato de un hombre – Francesco Parmigianino 
Vision of St. Jerome by Francesco Parmigianino 
Portrait of a man with a book by Francesco Parmigianino 
Madonna on the throne, Zechariah, John the Baptist and Mary Magdalene by Francesco Parmigianino