
Pay attention to how different this style is from the famous “Descent from the Cross” written a decade earlier.
Note, however, that in “Drinking” and “Taking off the Cross” the master pursues the same goal – to achieve the ultimate “emotional distinctness” of the depicted scene.
But if in the “Drink” Rogier goes to this goal by piling and colliding the details, then in “Removing the Cross”, on the contrary, minimizes all “background details” in order to sharpen the viewer’s attention to the main action.
Pieta – Rogier van der Weyden
The removal from the cross by Rogier van der Weyden
Chronicles of Hainaut by Rogier van der Weyden
Triptych “Crucifixion” by Rogier van der Weyden
Triptych “The Seven Sacraments” by Rogier van der Weyden
Calvary by Rogier van der Weyden
Altar of St. John the Baptist by Rogier van der Weyden
Madonna with the Child and the Four Saints by Rogier van der Weyden