“Drawings of Breden’s pen are similar to the fantasy of hashish: everything in them has an equal value, it is an unimaginable chaos in which one needs to look long enough to be able to discern anything… But they are very curious: every branch of a tree hides a bird, monkey or insect.
The outlandish fauna is teeming with vegetation in these wilds, the cities are far away, the trees are intertwined, puddles, reeds, thistles, storks, hoopoes, clouds, swallows, harnessed dromedaries, and finally a satiated look reveals a man dressed in Turkish who comes to the rescue another, which is the explanation of the name.
Meanwhile, the “Good Samaritan” can not be called the work of the first comer, yes, the creation is strange, painfully confused, devoid of originality, which was claimed, but it is a masterpiece of patience, “- Maxim Max Du Camp published in 1861.
Bon Samaritain – Rodolf Breden 
The Garden of Poets by Vincent Van Gogh 
Branch by Alexander Ivanov 
The market of our democracy by Ilya Glazunov 
Perfect Head by Michelangelo Buonarroti 
Christ and the Samaritan by Juan de Flandes 
Portrait de l’empereur Rodolphe II – Giuseppe Arcimboldi 
Rocky Mountains by Will Cotton