Documents to accurately date the picture, not preserved. Enclosed in a frame of gray stone work of a prominent architect and sculptor Jacopo San-sovino.
The explanation of the unusual signature was given in 1648 by K. Ridolfi, who claims that Titian, repeating the word “made,” emphasized the completeness of the picture.
The second inscription is a hint at the biblical Burning Bush – one of the symbols of the purity of the Madonna
Related Paintings 
L’Annonciation – Titian Vecellio 
Self-portrait by Titian Vecellio 
Portrait of the antiquarian Jacopo Strada by Titian Vecellio 
Pope Alexander VI represents Jacopo Pesaro to Saint Peter by Titian Vecellio 
Gypsy Madonna by Titian Vecellio 
Portrait of an artist with a palm leaf by Titian Vecellio 
Allegory of prudence by Titian Vecellio 
St. John the Baptist in the Wilderness by Titian Vecellio
L’Annonciation – Titian Vecellio Self-portrait by Titian Vecellio Portrait of the antiquarian Jacopo Strada by Titian Vecellio Pope Alexander VI represents Jacopo Pesaro to Saint Peter by Titian Vecellio Gypsy Madonna by Titian Vecellio Portrait of an artist with a palm leaf by Titian Vecellio Allegory of prudence by Titian Vecellio St. John the Baptist in the Wilderness by Titian Vecellio