Over the years, unique and individual, concrete in portraits Koro begins to decline. It becomes more difficult for an artist to find harmony and joy in his life. Portraits Koro, especially women, begin to gravitate toward the embodiment of some eternal peace, peace, and regardless of the nature of the model.
The liveliness, spontaneity, the promise of movement that were in the “Portrait of Octavia Signegon”, are absent here. Filled with tranquility, the twilight landscape, the tranquility of the pose, the clearness and unhurriedness of the contour line separating the figure from the background, reinforce the impression of restraint and some detachment that are written on the face.
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