The first owners of the painting were the Maffei family from Verona, where Titian painted the altarpiece for the Cathedral. Indeed, Titian may have lent the bright orange-and-yellow costume of

According to K. Ridolfi, the picture was in the collection of the Muselli in Verona and was considered the work of Titian. In the second half of the XVII century,

In a relaxed and confident painting, Titian brings the charm of the family hearth to the tried and tested Holy Scripture formula. The condescending smile of St. Dorothea is the

The portrait comes from the palace of Ca Marcello in Venice. Bought in the Dresden meeting in 1743. A box with paints, a palm branch, and the age of the

Documents to accurately date the picture, not preserved. Enclosed in a frame of gray stone work of a prominent architect and sculptor Jacopo San-sovino. The explanation of the unusual signature

“The Death of Eurydice” is part of a group of small mythological compositions of a horizontal format, apparently designed to decorate wedding chests – a cassone. These compositions, performed by

Painting by artist Tiziano Vecellio “Love is earthly and heavenly.” The size of the painting is 118 x 279 cm, canvas, oil. In his work, the artist develops and develops

Polyptych Resurrection in Santi Nazarau e Celso in the city of Brescia was commissioned by Altobello Averoldi, the papal legate in Venice, in 1518/19. The format of the five panels

The great Venetian master of the Renaissance Titian was given as a child to the workshop of the Venetian mosaicist S. Dzukkato, later studied at J. Bellini, worked in the

Painting by artist Tiziano Vecellio “Violante”. The size of the painting is 65 x 51 cm, canvas, oil. The most complete embodiment of the ideal of a physically and spiritually

It comes from the collection of E. Wood. Until recently he was in the collection of Count Halifax in Garroubi Hall. Currently exhibited at the London National Gallery. Comparatively little

The painting comes from the house of Titian, bought in 1581 by the Barbarigo family. The Hermitage arrived in 1850 from the collection of Barbarigo. Is the author’s repetition of

This painting was written to celebrate the defeat of the Turks in Santa Maura on August 30, 1502: the victorious papal fleet was led by Jacopo Pesaro, while his cousin

The painting by artist Tiziano Vecellio “Diana and Actaeon” is a steam room to the painting “Diana and Callisto” from a series of paintings on poetic themes for the Spanish

Even more so than in his painting “Mary in the Temple,” Titian’s attempt to fill the language of color with elements of Mannerism is clearly evident in this work painted