The advantages of the best historical paintings and watercolors of Vasnetsov are not only in the warmth of the artist’s feelings, in the absence of a sense of coldness of “reconstructions”, but also in the freshness of their fulfillment.
Most of the historical architectural landscapes are done without excessive naturalistic detail.
It is felt that the hand of an experienced master who subtly perceives and transmits also the style of his epoch, a contemporary of MV Nesterov and AP Ryabushkin, VA Serov and MA Vrubel, A. Ya. Golovin, and N. K. Roerich.
Related Paintings 
The heyday of the Kremlin. All-Svyatsky Bridge and the Kremlin at the end of the XVII century by Apollinarius Vasnetsov 
Le Kremlin de Moscou sous Ivan Kalita – Apollinaris Vasnetsov 
The Moscow Kremlin with Dmitri Donskoi by Apollinarius Vasnetsov 
The Square of Ivan the Great in the Kremlin. XVII century by Apollinarius Vasnetsov 
At dawn at the Resurrection Bridge. The end of the XVII century by Apollinarius Vasnetsov 
The Moscow torture chamber. The end of the XVI century (Konstantin-Eleninsky gate of the Moscow prison at the turn of the XVI and XVII centuries) by Apollinarius Vasnetsov 
Kremlin de Moscú bajo Ivan Kalita – Apollinary Vasnetsov 
Red Square in the second half of the XVII century by Apollinarius Vasnetsov
The heyday of the Kremlin. All-Svyatsky Bridge and the Kremlin at the end of the XVII century by Apollinarius Vasnetsov Le Kremlin de Moscou sous Ivan Kalita – Apollinaris Vasnetsov The Moscow Kremlin with Dmitri Donskoi by Apollinarius Vasnetsov The Square of Ivan the Great in the Kremlin. XVII century by Apollinarius Vasnetsov At dawn at the Resurrection Bridge. The end of the XVII century by Apollinarius Vasnetsov The Moscow torture chamber. The end of the XVI century (Konstantin-Eleninsky gate of the Moscow prison at the turn of the XVI and XVII centuries) by Apollinarius Vasnetsov Kremlin de Moscú bajo Ivan Kalita – Apollinary Vasnetsov Red Square in the second half of the XVII century by Apollinarius Vasnetsov