Correggio constantly pushes the viewer with a hurricane of passion. Especially it is noticeable in the picture of Esse Homo, where the figure of Christ is portrayed somewhat unnaturally and detached, but absolutely stunningly written is Maria, losing consciousness, torn by the conflicting feelings of soldiers and the old Jew continues to reason. Their large contrast faces appear on an abstract proscenium, completely devoid of depth, in front of an invisible and innumerable audience, including us, the spectators.
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- Essay Homo (I’m Human) – Correggio (Antonio Allegri) Correggio force constamment un ouragan de passions sur le spectateur. Cela est particulièrement visible dans l’essai de peinture Homo, où la figure du Christ est dépeinte comme quelque peu anormale...
- Esomo Homo (soy un hombre) – Correggio (Antonio Allegri) Correggio está constantemente bombeando un huracán de pasión en el espectador. Esto es especialmente notable en la imagen del Homo Essa, donde la figura de Cristo se representa en una...
- El descenso de la cruz – Correggio (Antonio Allegri) Esta obra, que representa la escena del luto de Cristo, fue realizada por Correggio para la iglesia de San Giovanni Evangelista en Parma. Además de Jesús y la Virgen María,...
- The worship of the Madonna to the infant by Correggio (Antonio Allegri) The composition of this picture is similar to the composition written in 1530 Christmas. The infant Christ radiates radiance and illuminates the interior, written in soft tones. Created by the...
- The mystical betrothal of St. Catherine by Correggio (Antonio Allegri) St. Catherine takes the wedding ring from the hands of the infant Christ. Saint Sebastian is present at the symbolic engagement. In the background of the picture are inscribed scenes...
- Saint Jerome by Correggio (Antonio Allegri) The work “Saint Jerome” refers to the early period of creativity Correggio. Expressive picture gives contrast lighting. The saint, depicted to the waist, looks thoughtfully at the skull, reflecting, presumably,...
- Descent from the Cross by Correggio (Antonio Allegri) This work, representing the scene of mourning for Christ, was performed by Correggio for the church of San Giovanni Evangelista in Parma. In addition to Jesus and the Virgin Mary,...
- Nativity of Christ (Night) by Correggio (Antonio Allegri) Correggio loved the light for his own sake and was rewarded for his love, because it was the art of transmitting light that elevated him above all modern masters. He...
- Virgin Mary, the worshiping infant by Correggio (Antonio Allegri) According to the early works of the painter, one can see how the influence of Mantegna is replaced by the influence of Leonardo da Vinci and how the independent Allegri...
- Virgen María, adorando al bebé – Correggio (Antonio Allegri) En las primeras obras del pintor, uno puede rastrear cómo la influencia de Mantegna es reemplazada por la influencia de Leonardo da Vinci y cómo se forma gradualmente el Allegri...
- Female portrait by Correggio (Antonio Allegri) The genre of the portrait is quite rare in the work of the Italian master of the Renaissance, and the picture presented is the only Correggio work kept in the...
- Ascension of Our Lady by Correggio (Antonio Allegri) The fresco “Ascension of Our Lady”, decorating the dome of the Parma Cathedral, is one of the most significant works of Correggio. Here, his many years of searching in the...
- Adoración de la Virgen al Infante – Correggio (Antonio Allegri) La composición de esta imagen es similar a la composición escrita en 1530 Navidad. El bebé Cristo irradia resplandor e ilumina el interior, pintado en tonos suaves. La imagen de...
- Danae by Correggio (Antonio Allegri) I: \ kartiny \ correggio \ 30danae. html The long time the life of this great artist was little known, and therefore filled with such incredible and opposite to each...
- Navidad (Noche) – Correggio (Antonio Allegri) Correggio amaba la luz por su propio bien y fue recompensado por su amor, porque fue el arte de transmitir la luz lo que lo elevó por encima de todos...
- Vierge Marie adorant le bébé – Correggio (Antonio Allegri) À partir des premières œuvres du peintre, on peut voir comment l’influence de Mantegna est remplacée par l’influence de Léonard de Vinci et comment l’Allégri indépendant se forme progressivement. Maria...
- Madonna con una cesta – Correggio (Antonio Allegri) Las imágenes del altar presentadas aquí pertenecen al período maduro de la creatividad de Correggio. Ambos dan testimonio de la “manera” del estilo del maestro, que se manifiesta en el...
- The vice by Correggio (Antonio Allegri) “Vice” appears before us in the form of an elderly man. To his left is Joy. She plays the flute next to Porok’s ear, drowning the voice of the Conscience...
- Leda by Correggio (Antonio Allegri) Each of the four paintings of this series, commissioned by Federico II Gonzaga, illustrates one of Jove’s love affairs. In the painting “Leda”, the Thunder God joins his beloved, taking...
- Madonna con San Jerónimo – Correggio (Antonio Allegri) Esta imagen del altar, también conocida como El Día, fue encargada por Correggio en 1523 por un tal Brizeida Coma, que deseaba honrar la memoria de su cónyuge recientemente fallecido....