The majestic and solemn image of the Savior was supposedly written for the St. John the Evangelist Church in Yaroslavl. The artist seemed to be trying not to leave an empty seat on the board. Christ is surrounded by kneeling female figures, in one of which one can recognize a weeping sinner who anointed the feet of Jesus with the world and wiped them with her hair in the house of the Pharisee, as described in the Gospel of Luke.
At his head are angels with instruments of “passions”. In numerous hallmarks – intricate and elegant, executed in the artist’s favorite range of red and green tones – a detailed story about the life and work of the Savior. A huge throne and foot – a truly beautiful specimen of artful ornamental painting in gold.
Related Paintings 
Sauveur tout-puissant avec des scènes d’actes et de passions – Semyon Kholmogorets 
Savior helpless, in a frame with 33 stigmas of the Lord’s and apostolic passions 
Ilia the Prophet with a Life by Semen Kholmogorets 
Savior Nereditsa by Nikolai Roerich 
St. Francis receiving stigmata, with three scenes from the life by Giotto di Bondone 
Christ, the Savior of the World by Bartholomeus Spranger 
The Savior and the Four Apostles by Vittore Carpaccio 
And we see by Nicholas Roerich
Sauveur tout-puissant avec des scènes d’actes et de passions – Semyon Kholmogorets Savior helpless, in a frame with 33 stigmas of the Lord’s and apostolic passions Ilia the Prophet with a Life by Semen Kholmogorets Savior Nereditsa by Nikolai Roerich St. Francis receiving stigmata, with three scenes from the life by Giotto di Bondone Christ, the Savior of the World by Bartholomeus Spranger The Savior and the Four Apostles by Vittore Carpaccio And we see by Nicholas Roerich