
“Smolyanka” Catherine Nelidova captured in her best role – the servants of the Serbians from the Pergolesi opera “The Maid – Mistress”, which describes how a clever maid managed to achieve a warm disposition of his master, and then marriage with him.
Gracefully lifting a light lace apron with her fingers and bowing her head slyly, Nelidova stands, as it were, waiting for a wand of a wand. .
One feels that for her the performance is not a reason to demonstrate the “elegant manners” grafted in the hostel. and the opportunity to show young enthusiasm, cramped by the everyday rigid rules of the Smolny Institute. Levitsky transmits a complete emotional dissolution of Nelidova in stage action. The artist builds a rich range of gray-green, pearl and pink tones.
Retrato de Nelidova – Dmitry Levitsky
Portrait de Nelidova – Dmitry Levitsky
Portrait of E. I. Nelidova (Smolyanka) by Dmitry Levitsky
Portrait de E. I. Nelidova (Smolyanka) – Dmitry Levitsky
Retrato de E. I. Nelidova (Smolyanka) – Dmitry Levitsky
Portrait of P. N. Repnina by Dmitry Levitsky
Portrait of Molchanova E. And by Dmitry Levitsky
Portrait of A. Ya. Levitskaya by Dmitry Levitsky