In 1913, Lentulov wrote the panel “Moscow-Moscow”, which became the pinnacle of his primitive hyperbolism. Concentrations of colors as if beckon the viewer to plunge into this pulsating abyss, so
The bell tower of Ivan the Great by Aristarkh Lentulov
The artist himself particularly emphasized this pictorial panel as “solving the problem of the great Russian decorative art.” This expression first served as the expanded name of the canvas, on
St. Basil’s Cathedral by Aristarkh Lentulov
This panel shows the actual decorative generosity of the color palette. It depicts a building, razed to the volumes and edges in the spirit of cubofuturism. They are laid out