The harmony of man and the world around him, the inseparability of their existence – this is what is expressed both in the dacha and the girl on the threshold,

The north literally charmed Korovin, he enthusiastically told Serov: “What a wonderful land, North Wild! And there is not a single bit of anger from people here… And what kind

Konstantin Korovin is rightfully considered one of the founders of Russian impressionism. Favorite student Savrasov, a follower of Nesterov and Levitan, he created so bright and colorful works that, against

In the painting, for the first time in our painting, there is a sharp conflict typical of the Russian village of that time: at a rural meeting a poor peasant,

Movement and life of light – theme of the canvas “Paris., Boulevard of the Capuchin”. The colorant dominant of the composition is a showcase, blazing like a fiery furnace. She

Researchers creativity of the famous Russian and Soviet artist-impressionist Konstantin Korovin distinguish a special, “floral” period of his work, which falls on the beginning of the twentieth century. At this

Etude “Girl on the Threshold” refers to the early period of creativity Konstantin Korovin. As in a number of landscape etudes of the 1890s, a female figure was introduced into

In all its incomparable splendor Paris is nocturnal. The infidel lights are flashing and dislodging, infidel lights flash, the motley crowds are flashing, the motley crowds are flowing ceaselessly… Eternal,

When it comes to Fyodor Chaliapin, unique archival records come to mind immediately, which managed to capture his dense bass and portrait of Boris Kustodiev, where the world-famous opera singer

It was Polenov who did much to shape the future artist. On the slope of the summer Korovin recalled: “Polenov was so interested in school and brought a fresh stream

During a short period from 1894 to 1895, Korovin created a whole series of paintings dedicated to the winter landscapes of the north and central Russia. “Winter” – one of

The painting of the remarkable Russian impressionist Konstantin Korovin “Crimea: Gurzuf” refers to the so-called “Crimean” period of the artist’s work. He was very fond of visiting his dacha in

1888 was rich for Korovin artistic impressions – he, along with Savva Mamontov went on a trip to Europe. Especially liked the painter Spanish color, which can be seen even

And at the same time, for all the decorativeness of the Paris fires, they are truly impressionistic in the artist’s desire to fix a quick impression of the seen Parisian

Looking at the night scenes of the city of Korovin, the viewer plunges into the mysterious sphere of the city’s life with its brightly lit windows, the multicolored lights of