The painting of the remarkable Russian impressionist Konstantin Korovin “Crimea: Gurzuf” refers to the so-called “Crimean” period of the artist’s work. He was very fond of visiting his dacha in

“The beauty and joy of life.” The transfer of this joy is the essence of the picture, pieces of my canvas, my self… I have no direction and no fashion

In the painting, for the first time in our painting, there is a sharp conflict typical of the Russian village of that time: at a rural meeting a poor peasant,

In all its incomparable splendor Paris is nocturnal. The infidel lights are flashing and dislodging, infidel lights flash, the motley crowds are flashing, the motley crowds are flowing ceaselessly… Eternal,

Being a native Muscovite, Konstantin Korovin nevertheless rarely depicted his native city landscapes, although, undoubtedly, he derived inspiration from this, so the painting “Moskvoretsky Bridge” can be called with certainty

Konstantin Korovin is rightfully considered one of the founders of Russian impressionism. Favorite student Savrasov, a follower of Nesterov and Levitan, he created so bright and colorful works that, against

Despite the severity, the North is not empty. In all northern works Korovin depicts either people or traces of human activity. And in Winter in Lapland and in the Murmansk

Movement and life of light – theme of the canvas “Paris., Boulevard of the Capuchin”. The colorant dominant of the composition is a showcase, blazing like a fiery furnace. She

The artistic range of Konstantin Alekseyevich Korovin is extremely wide. At the beginning of his creative career, he is fond of the traditions of the Wanderers, then in Paris he