Ingres Jean Auguste

Ingres, becoming a venerable artist, in the creation of his paintings resorted to the help of students. It was a common practice – once the young Ingres did the same

Leonardo Da Vinci was a living legend, whose presence could adorn any royal court. French King Francis I, who was a great lover of Italian art, invited the artist to

The plot of the picture is drawn from the poem by L. Ariosto “Frenzied Roland”. It describes the story of Angelica, chained to the rock and sacrificed to a sea

Cloth XIX century “Romulus – the winner of Akron” belongs to the work of the Frenchman Jean Auguste Dominique Ingres. It refers to the early period of the creativity of

Louis Francois Bertin published the popular newspaper “Deba”. Visitors to the Salon of 1833, who saw the portrait of Bertin exhibited there, were shocked by his realism. It was said

The painting was painted at the end of the artist’s life. This is the most captivating work of the old master. It depicts a young girl holding a jug from

This is a portrait of the friend of the artist François Granet, also an artist. Ingres places it on the background of the Roman landscape, half-turned, calmly looking at the

Classicists reasonably claimed that the drawing “teaches” the hand of line accuracy. In the system of these representations, Ingres was raised, and yet in college students he showed himself as

One of the most famous paintings of the artist. The figure of a girl in a white dress, like a statue, rises in the background of the landscape. Ingres strove

Ingres, according to Charles Baudelaire, was “the only person in France who can really write portraits.” Funny, but the artist himself considered them a kind of annoying “load”, distracting him

Antiochus, the son of Seleucus, the founder of the dynasty, who ruled the Asian provinces after the death of Alexander the Great, fell in love, as legend says, to his

This picture – one of the “premises”, which Ingres, as a student of the French Academy in Rome, sent to the Paris Academy. Its other name is “The Big Bather”.

Portrait of Raphael Santi and Fornarina, the beloved of the eminent artist – a piece of Santi’s biography, obsessed with feelings for the same Fornarina, which later broke his heart,

This is an altar image for the church of the city of Montauban, called the “Vow of Louis XIII, asking for the protection of the Madonna for the French kingdom.”

Twenty-year-old Jean Auguste Dominique Ingres, a French painter – an academician at the dawn of his work often turned to historical subjects and myths for narration in oil. “Ambassadors of